Abstract
This study presents an interdisciplinary analysis of cultural testimonies of the unique wound left by the camps in Ukrainian-Russian relations. Gulag literature, explored for decades by the humanities, is perceived mainly through the prism of the heritage of totalitarian systems and creative attitudes in the face of suffering: extreme physical and mental experience. The paper analyzes the works of Ukrainian artists of the last decades created as a result of imprisonment. Their literary and film creations make up the image of a wound inflicted in the name of achieving imperial goals while imprisoned in a camp. The juxtaposition of their diverse artistic reactions to the suffering of testimonies helps to highlight the power with which the unsettled, forgotten, silenced, and now and unexpectedly updated wound of the camp past is reflected in today’s attitude of Ukrainians towards Russians.
Presenters
Kinga Anna GajdaAdjunct, Institute of European Studies, Faculty of International and Political Studies, Jagiellonian University, Malopolskie, Poland
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
The Arts in Social, Political, and Community Life
KEYWORDS
HERITAGE, WOUND, RUSSIAN-UKRAINIAN RELATIONS, CONCENTRATION CAMP/PENALTY COLONY
Digital Media
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