The Limits of Virtual to the Boundaries of Performance Art

Abstract

My paper considers the relationship between humans and their technology, using performance art as intervention and based on my experience in doing performance art over the past 30 years. I aim to create an interactive framework looking at technology, individuality, and society. In the electronic media, an inner paradox often occurs in a landscape of liminal space. Here, I consider how the virtual can be used to transmit the message of my Performance Art, and how people receive this message. Can the Internet expand the heritage of Performance Art positively in reaching an individual, group and global audience? In this art practice, how effective is the virtual connection compared to face to face interaction? Michel Foucaud’s concepts will be used in discussing individuality and identity of performer(s) and their audience. The social context and the performer’s transmission of message are important parts of Performance Art. Artistic messaging, both in person and virtually, strives to modify social relationships regarding today’s societal and environmental challenges.

Presenters

Eveline Boudreau
Independent Artist, CARFAC, Saskatchewan, Canada

Details

Presentation Type

Paper Presentation in a Themed Session

Theme

New Media, Technology and the Arts

KEYWORDS

Performance Art, Technology, Social Relationships, Identity, Virtual Connections, Social Media

Digital Media

Downloads

The Limits of Virtual to the Boundaries of Performance Art (pdf)

Eveline.Boudreau_-_2023.AiS.Limits_of_the_Virtual_to_the_Boundaries_of_Performance_Art.pdf