Eighteenth International Conference on the Arts in Society

Abstract

Directors, cinematographers, and picture designers, among others, have the potential to better understand applicable color and thus enable a more informed and enlightened use of color to enhance audience communication with the emotions of movies., thus improving the visual experience of viewers. Exploring colors has always been magical. Since we are beginning to understand this enormous amount of information that the film presents in a visual way, and also to understand that the colors will attract the attention of the viewers. The general research context in the study of the creative transition from plastic art to cinema as an art and a creativity, and concentration on the color element as an important element of the cinematographic image. In plastic painting, color is the basis of expression because painting is about distinguishing things through it and gaining them a concrete characteristic that forms its third dimension, and color can be considered to be what gives the movement, perhaps in cinema, when color follows movement from scene to scene, it adds rich cinematic expression. Search results consider the importance to the value of color in cinema as a major influence; how to rely on a creative plastic background in the color composition of cinematographic language; knowing the internal rhythm in the distribution of colors in the cinematic image as a plastic painting.