Abstract
This paper considers what films have to say about Israeli reality and what the makers of that reality have to say about films. An insight into (the eternal) conflict between politicians and films, the historical development of this conflict, the impossibility of its solution. There is an ongoing debate about the use and misuse of public money invested in films.
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
The Arts in Social, Political, and Community Life
KEYWORDS
Cinema, Censorship, Palestinians, Tel Aviv, West Bank, Aesthetics
Digital Media
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