What Did Yevgeny Zamyatin Tell Us About Perspective Representation in Literature in Мы (We)?: Calculus as a Representation of Inter-Characteristic Interaction in Yevgeny Zamyatin’s We

Abstract

A graduate of the Imperial Naval Academy and manager of the Icebreaker constructions in Britain, Yevgeny Zamyatin was a talented engineer and author of pioneering science-fiction work, We (Мы). With his natural mathematical inclination, We contains mathematical references, such as √(-1), or D-503’s respect for 18-th century mathematician Brook Taylor. But what did Zamyatin show us with his gifts about what lies beyond words – inside them? Starting with the center of the novel, D-503 and his Integral – d, the variable universally representative of the function of mathematical differentiation and the Integral (with the function of integration) being built by D-503, this is first robust allusion to calculus in the plot. When I-330 is brought into consideration, along with D-503’s irrational fear of √(-1), the irrational number i, it proves both differentiation and integration, has i present a challenge. D-503’s (differentiation) encounter with i will amount him to 0, and her presence in the integral construction makes it an unsolvable problem – each analogy becomes more representative of the evolution of the plot. Further, O-90, like Big O Notation (showing decline/increase of function) shows D-503 exponentially drifting from his ideologies and usual behavior. U, additionally, tries to simplify D-503’s life for him, forcing him into the One State’s ways, like U-substitution in calculus simplifies an expression for a reduced margin for error. Zamyatin represented a functional variable correlating with character functions and their relationships, pushing words/numbers beyond their meaning, into perspective representation of literature and social commentary.

Presenters

Arista Siebrits
Student, MA, Rutgers University New Brunswick, New Jersey, United States

Details

Presentation Type

Paper Presentation in a Themed Session

Theme

Arts Histories and Theories

KEYWORDS

Representation, Revolution, Social change, Perspective, Interpretative

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