Abstract
Throughout modern theatre history, global practices, ranging from Asian theatre traditions to Stanislavski’s System to Postcolonial African Playwrights, have played a continuing role in the growth of the field. With the rise in right-leaning nationalistic governments in recent years, how does theatre, as a representative of all art fields, continue to champion a world-wide interchange of ideas while navigating the potential minefield that is not only the power-that-be, but the mindset of a constantly evolving audience?
Details
Presentation Type
Paper Presentation in a Themed Session
Theme
2021 Special Focus - Voices from the Edge: Negotiating the Local in the Global
KEYWORDS
Theatre, Multinationalism, Globalism