Artistic practice is seen as a non-linear, cyclic process. However, perhaps the role of exhibition making in creating dialogue does not follow this paradigm. Should curators be more aware of the subjective role psychological perception plays within an exhibition space? How can a deeper understanding of aid and adopt more successful curatorial methods/methodologies?
Arts Theory and History
Enquiries Advisor/PhD Student, Student Recruitment and Admissions, Staffordshire University, United Kingdom
Current MPhil/PhD student interested in Contemporary Fine Art, Visual and Artistic Language, Visual Methodologies, Psychology, Dialogue, Curating and Exhibition Making.