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WWII Book Clubs

Grade 7 Historical Fiction

Learning Module

Abstract

In this module students will be reading a historical fiction book about World War II. Throughout this module students will be working on different literary elements of the grade seven literature common core standards. This includes looking at theme, drawing inferences, creating objective summaries, comparing, contrasting, and looking at connotative meanings behind words. At the end of this unit when students have completed or are close to completing their book, they will create a peer reviewed visual work that encompasses each update of the module. This project can be done with any medium, newspaper, artwork, webpage, or video to name a few.

Keywords

common core, World War II, historical fiction, inference, theme, compare, contrast, objective summary, connotation, denotation

Overview

This learning module was created to aid students in meeting literature reading standards. When reading the historical fiction book of their choice, students will look at theme, summarizing, understanding inferences, connotation, comparing their work to nonfiction works, and read and comprehend the book. At the end of the unit, when students have finished reading and working on the literary elements described above, they will put them to use and create a multimedia “paper”. Students will have choice in what they create and how they create it.

The idea behind the culminating peer-reviewed work that will occur at the end of the unit comes from the course EPS 554: New Media and Literacies. This course is about multimodal learning through different meaning making modes like, oral, written, visual, spatial, tactile, gestural, and audio. In this module, students will use these different meaning making modes in their peer-reviewed project, and it is my hope that different modes will be addressed throughout the module. Students will have opportunities to see the rubric used to assess their learning ahead of time, revise their work, and show how they are learning and growing as readers.

I created this unit keeping in mind my experience teaching other reading units and time working with middle grades students. In my years as a middle school reading and writing teacher I taught variations of this unit. We had a World War II reading unit, but it was different from what you see in front of you. When I taught the unit, it was done at the same time social studies taught World War II so that students had background knowledge on this time in history as well as nonfiction texts to compare and contrast to. There is similarity between this module and another module I’m working on for another class in the sequence of events and some of the resources I use. This module is about how to help students determine key ideas and details, craft and structure, and build their range of reading, but includes my own philosophy on education including, chunking, no homework, scaffolding, providing ongoing feedback, and delaying final grades. 

I’ve written about reducing homework in previous learning modules with the thought that this might be used in a traditional classroom. If this is used for online learning, I would limit each section/lesson between 50 minutes and 1 hour. Here’s what I previously wrote on homework:

The reasoning for minimizing the amount of homework students received was because we, my co-teacher and I, found the gap between students increasing exponentially. At the start of a project everyone was on the same page, but [soon] we had students fall behind their peers. There were multiple factors to this, but many were out of our control. One thing we could control was our time in class. Therefore, in this module you will see minimal homework, and most often it is asking students to respond to one another and what students identify as feasible (Cooper, Lindsay, Nye, & Greathouse, 1998).

This reading module is geared towards seventh-grade, using the English Language Arts Literature Reading Grade 7 Common Core State Standards. Reading, and English Language Arts Standards, in general, are unique in that they build upon each other year after year. For example, beginning in kindergarten students are exposed to reading standards for literature, but don’t hear the word ‘inference’ until fourth grade. While most of what we’re doing isn’t brand new, it is building students’ skills and confidence.  In each teacher section, I mention when that element, for example, inference, was introduced and what about the seventh-grade standard is new to students.

Intended Learning Outcomes

For the Student

The learning targets for this World War II reading module include:

 

  • I will read a book that is within my zone of proximal development.
  • I can create a work that encompasses my learning from this module.
  • I can use text evidence to draw inferences.
  • I am able to determine the theme(s) of the book.
  • I can create an objective summary.
  • I can identify difficult words and determine the meaning including their connotation.
  • I can compare and contrast my fiction book to historical events.
  • I will come to discussions prepared (book, reading complete, assignment complete).
  • I will follow the norms/rules/expectations my group makes.
  • I will ask questions and respond to my peers’ questions/comments to further discussion. 

For the Teacher

The targeted learners for this module are seventh-grade reading students. These students are in the general education classroom setting, even if they have individualized reading and writing goals per their IEP or 504.

The curriculum standards come from the English Language Arts Reading: Literature Grade 7 Common Core State Standards and are listed below. This module uses English Language Arts Common Core State Standards as they are accepted in 42 of the 50 states. 

 

CCSS.ELA-LITERACY.RL.7.1 Cite several pieces of textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.

CCSS.ELA-LITERACY.RL.7.2 Determine a theme or central idea of a text and analyze its development over the course of the text; provide an objective summary of the text.

CCSS.ELA-LITERACY.RL.7.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of rhymes and other repetitions of sounds (e.g., alliteration) on a specific verse or stanza of a poem or section of a story or drama.

CCSS.ELA-LITERACY.RL.7.9 Compare and contrast a fictional portrayal of a time, place, or character and a historical account of the same period as a means of understanding how authors of fiction use or alter history.

CCSS.ELA-LITERACY.RL.7.10 By the end of the year, read and comprehend literature, including stories, dramas, and poems, in the grades 6-8 text complexity band proficiently, with scaffolding as needed at the high end of the range.

In addition to the reading standards above, students will also be addressing the following Speaking & Listening Common Core Standards.

CCSS.ELA-LITERACY.SL.7.1.A Come to discussions prepared, having read or researched material under study; explicitly draw on that preparation by referring to evidence on the topic, text, or issue to probe and reflect on ideas under discussion.

CCSS.ELA-LITERACY.SL.7.1.B Follow rules for collegial discussions, track progress toward specific goals and deadlines, and define individual roles as needed.

CCSS.ELA-LITERACY.SL.7.1.C Pose questions that elicit elaboration and respond to others' questions and comments with relevant observations and ideas that bring the discussion back on topic as needed.

CCSS.ELA-LITERACY.SL.7.1.D Acknowledge new information expressed by others and, when warranted, modify their own views.

 

The intended targets/outcomes of this module for students include:

  • Students will read a book that is within their zone of proximal development.
  • Students can create a work that encompasses their learning from this module.
  • Students can use text evidence to draw inferences.
  • Students are able to determine the theme(s) of the book.
  • Students can create an objective summary.
  • Students can identify difficult words and determine the meaning including their connotation.
  • Students can compare and contrast my fiction book to historical events.
  • Students will come to discussions prepared.
  • Students will follow the norms/rules/expectations my group makes.
  • Students will ask questions and respond to their peers’ questions/comments to further discussion.

As previously stated, if this is used in a traditional classroom you will be constricted to your allotted class time. However, if this is used solely online, I would limit each section to between 50-60 minutes. Please consider making modifications and alterations to any part of this unit to best meet the needs of your students. I created this unit with my former students in mind, but yours may have different interests and thoughts! This was created with the understanding that each student would have a device or access to one.

1. Intro to Historical Fiction

For the Student

Learning Intention: To understand how historical fiction is its own genre, then decide which book you want to read!

Before we begin, please complete this pre-survey (admin will post it if the link doesn't work) so that I can get a feel for what you already know about historical fiction and some literary elements! Please answer honestly (this will not be for a grade).

Historical fiction is its own genre (like realistic fiction, nonfiction, mystery, fantasy, etc.). The story takes place in the past and uses details from a time period within the work. However, it is fiction, so it is not a true story. Some stories, while fictional, include actual historical events, people, and traditions.

For this module, you are going to be reading World War II historical fiction texts! There are MANY books for you to choose from. When you’re choosing a book, think about the difficulty compared to your ability level, and whether or not it sounds interesting to you. Create a list of your top three choices and explain why you would like to read those books.

Look through the two lists of books and decide which one you would like to read (think interest combined with the right difficulty). If there are multiple ones you’re interested in, write them all down! When letting me know which book(s) you want to read include why you chose this book. This is just a place to get started.  If there’s a book that you find that’s not on the list that’s awesome! 

1. GoodReads

2. Barnes and Noble 

Here are a few of my favorite World War II historical fiction texts.

When My Name Was Keoko by Linda Sue Park (Park, 2002)
​Salt to the Sea by Ruta Sepetys (Sepetys, 2016)

 

Number the Stars by Lois Lowry (Lowry, 1989)

 

Prisoner B-3087 by Alan Gratz (Gratz, 2013)

Comment- What does historical fiction mean in your own words? How does it differ from nonfiction? Respond to one of your peers sharing why you chose to comment. We are writing constructive comments! Start with @Name so the person knows you're commenting on them!

For the Teacher

Pedagogical Rationale: Begin with students taking the pre-survey. Post this eight-question long survey to gauge what students already know. Use the information from the survey to help determine what aspects of the reading literature standards need to be addressed.

Begin the module by introducing historical fiction. It is likely that by now in seventh-grade students have either been exposed to it as part of a lesson or have read historical fiction on their own. Nevertheless, since you haven’t had time to read their responses begin with a brief overview.

I like to give students choice. I find that when students have a say in what they’re learning they are more invested, excited, and eager to attend to the learning. Students have many options for World War II historical fiction texts that give them ample opportunity to find a book that meets their interests and ability needs. Asking students to explain why they chose a specific book helps to understand why they chose a book that isn’t in their zone of proximal development, a sweet spot for students where things are not too simple but are attainable with some support/guidance.

 

Teaching Suggestions: There are many ways to go about creating book clubs. You can have each child reading the book of their choice and meeting and discussing together as a heterogeneous group, or you can have homogenous groupings where students are reading the same book.

Depending on which grouping you choose, you may choose to limit the number of options to guarantee you will be able to put students in groups. Additionally, if you find that your students need a larger number of choices, find another list or you can create your own for students to reference. I’ve also done this where I’ve had students rank a smaller set of options in order of preference or only made certain lists available to certain kids (referencing their Lexile’s). For this module, I’m going to refer to groups with both groupings in mind so that you can use this either way.

You may also want to make sure that the books on your lists are available in your school library, the local public library, or are within your school budget to purchase (hard or digital copies). This module was created under the assumption that students are able to acquire a copy of the book whether that is audio, digital, or hard copy. 

I do not include a word limit for the comments as a personal preference. Rather than a grade on meeting the minimum, I look at whether or not they answered the question completely. For some students, this will take 20 words, and others 100 words.  Additionally, review the comments to check for student understanding and provide feedback.  All of the above applies to the entire module. 

 

Standards Mapping: The standard below is an end of year goal, but by reading a book within their zone of proximal development students are working towards this.

CCSS.ELA-LITERACY.RL.7.10 By the end of the year, read and comprehend literature, including stories, dramas, and poems, in the grades 6-8 text complexity band proficiently, with scaffolding as needed at the high end of the range.

 

Supplementary Resources: If this is done in person you could get hard copies of some books to allow students to hold them and sift through them. I send a list to the local library and our school library a few weeks ahead of time and they gather the books for me to use in class.

2. Book Choice & Objective Summaries

For the Student

Learning Intention: Your goal is to create a list of group norms and understand what an objective summary is as well as be able to create your own.

You now understand what historical fiction is and how it differs from nonfiction. You’ve been assigned a book group and will meet together to create a list of norms. Some examples of a successful group meeting would include all members come prepared and are participating, building off one another’s ideas, speaking kindly, and acknowledging other viewpoints. With your group create a list of rules you all agree to abide by. Think about what you want or need in order to be meet the goals listed above. Once you’ve created your norms please submit them. 

Okay, you’ve created your expectations for one another- awesome! Let’s move on to how we’ll start every meeting, with an objective summary. An objective summary is a summary of what you’ve read without ANY opinion. Take a look at the video below for a refresher on an objective summary.

Armentrout, M. (2013, July 31). Writing an objective summary. Retrieved from YouTube: https://www.youtube.com/watch?v=bQT-g0yj92U

Read your book for the remainder of class time. If there’s no class time remaining, read for 15 minutes on your own. When class is over, you’ll be asked to summarize what you’ve read in the comment section.

Comment- Comment by writing an objective summary of what you just read. This is the most important aspects of the book so far. Read through and comment on two of your peers’ summaries. Why did you choose their summary? Were there opinions in it? If so, provide some constructive ways to make it so there aren't opinions. Start with @Name so the person knows you're commenting on them!

For the Teacher

Pedagogical Rationale: I don’t like assuming what students know and don’t know. They’ve come from different teachers, schools, settings, and while they may have learned about plot previously, having a refresher so that it’s clear and present in their minds will help all students. The objective summary video is short, provides audio as well as a visual for what is needed, and what’s not needed to be an objective summary.

Each class will begin with students in groups sharing their objective summary. This way they get to practice, update their peers on the book, and by sharing they will better remember what they read moving forward.

 

Teaching Suggestions: I trimmed the video to get to the point, however, if you have students who would benefit from using closed captioning, you can provide this link to the video on YouTube and have them watch until the 1:19 mark.  

You could sit with a book group to help them with the creation of their norms. Some groups will excel at this and others may not be able to articulate what they expect of one another. Encourage them and help them see why it’s important to be on the same page.

If there’s remaining class time for reading, you could read a book out loud to a group of students or offer the suggestion that those reading the same book could read together (with the stipulation that everyone is engaged). 

 

Standards Mapping: CCSS.ELA-LITERACY.RL.7.2 Determine a theme or central idea of a text and analyze its development over the course of the text; provide an objective summary of the text.

 

Supplementary Resources: Knowing your students, you may want to provide a paper with the aspects of an objective summary for them to have on hand. Below is a worksheet that students can use each time when creating their summaries.

Objective Summary Worksheet (Mocogni, Objective Summary, 2020)

 

3. Connotation and Denotation

For the Student

Learning Intention: Your target is to understand what connotation is and be able to use it when reading your historical fiction book.

  1. Meet with your group
  2. Each person should share an objective summary of what they read with the group
  3. Work through this update together or on your own

Take a look at this definition of connotation and denotation,

Connotation is the use of a word to suggest a different association than its literal meaning, which is known as denotation. For example, blue is a color, but it is also a word used to describe a feeling of sadness, as in: “She’s feeling blue.”

Connotations can be either positive, negative, or neutral. Writers often use different connotations to inject multiple layers of meaning into a word, phrase, or passage. Take this sentence, for example: “The dog is thin.” It has neutral connotations because it is simply a statement of fact. However, the same sentence rewritten as “The dog is emaciated” has negative connotations: the word “emaciated” implies the dog has a neglectful owner. (MasterClass, 2019)

Denotation = Dictionary Definition

Connotation = Feeling/Emotion associated with the word

In the video below (until 3:20), a communication coach reviews some more examples of connotation versus denotation.

Media embedded April 16, 2020

Communication Coach Alex Lyon. (2018, December 10). Connotative vs Denotative. Retrieved from YouTube: https://www.youtube.com/watch?v=wqyS7AiHqLY

 

Comment- Take a look back at what you read for this class. What words does the author use to convey a neutral, positive, or negative feeling to the reader? Share the line of text, the connotation and denotation of the word- don’t forget citations. Read other students' words and comment on 2-3. Start with @Name so the person knows you're commenting on them! 

For the Teacher

Pedagogical Rationale: As stated in the previous update, each class will begin with students in groups sharing their objective summary. This way they get practice, update their peers on the book, and by sharing they will better remember what they read moving forward.

I provide a visual and oral version to define connotation and denotation as well as a written way to help reach more students. This should be review as connotation is taught beginning in sixth grade, but you never know what students remember or if this was even taught.

Additionally, coming up with an example or two of connotation and practicing denotation in the comments section will hopefully help them see how many words elicit feelings for us. I linked Learner’s Dictionary by Merriam-Webster for students to use when looking at the denotative meaning. This defines words in a way that students can understand, without using other difficult words that they would then need to look up! 

 

Teaching Suggestions: When this is being done within a classroom setting consider working with a higher needs group, like those with reading goals or reading disabilities, or rotating through groups. This way you can see how discussions are going and how students are doing with creating objective summaries. The idea though is that students are reading books within their zone of proximal development so they may need some assistance but can do some things on their own.

 

Standards Mapping: CCSS.ELA-LITERACY.RL.7.2 Determine a theme or central idea of a text and analyze its development over the course of the text; provide an objective summary of the text.

CCSS.ELA-LITERACY.RL.7.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of rhymes and other repetitions of sounds (e.g., alliteration) on a specific verse or stanza of a poem or section of a story or drama.

 

Supplementary Resources: Knowing your students, you may want to provide a sheet that defines connotation and denotation for them to have on hand. Below is a worksheet that students can use.

Connotation and Denotation Guide (Mocogni, Connotation and Denotation, 2020)

 

4. Inferences

For the Student

Learning Intention: To read and practice drawing inferences from the text.

  1. Meet with your group
  2. Each person should share an objective summary of what they read with the group
  3. Work through this update on inferences together or on your own 

You know what an inference is, you make them every day! For example, if I see you yawn, I can infer that you’re tired. I used the visual clue of your yawn and my knowledge that when I’m tired, I yawn. An inference is different than a prediction, for example, you’re going to fall asleep is a prediction (something happening in the future). Avoid using ‘going to’ or ‘will’ when creating an inference.

Inference Infographic (Speech and Language Kids, 2020)

 

Understanding what the text says at an inferential level is just as important as understanding the literal meaning. You must use textual clues to understand the inferential meaning, which is not directly stated by the author.

With the remaining class time read for the next class. While reading think about what you understand about characters and the plot. How do you know this? Is it directly stated, or did you make an inference based on textual clues? Refer to the visuals above to help you out.

 

Text Evidence (what the text says)

Inference (what I understand from the text)

   
   

 

Comment- Make a comment on two inferences you made from the reading you just completed in class. If you can’t think of one from here, go back and look through the text. Make sure to include what the text says, the evidence, along with your inference. Use the visuals above to help you out. Comment on 1-3 other students’ posts making connections to yourself or others.

For the Teacher

Pedagogical Rationale: As stated previously, each update begins with students in groups sharing their objective summary on the new reading. This way they get practice, update their peers on the book, and by sharing they will better remember what they read moving forward. 

The infographic is provided to draw students into the update. This should be review as inferring is a skill that is part of fourth-grade reading literature standards. However, it is always helpful to have a refresher as I’ve found that students will often use predictive language ‘will’ and ‘going to’ when writing an inference.

Having students create a few examples of inferences allows them to practice in a safe place. It gives you the opportunity to read through the comments making sure they have text evidence and aren’t creating predictions.

Giving students time to read, sometimes called sustained silent reading, has been debated amongst educators and researchers for quite some time. Some argue that individual reading isn’t as productive, nor does it yield the same skills as reading as a whole group with teacher instruction. One study found that students who have a higher value of silent reading would be more effective during that time contrasting students who hold a lower value for silent reading (Siah & Kwok, 2010). This information combined with knowing how your students value reading could be used to plan on how to complete their required reading and lead to more frequent check-ins with positive behavior rewards.

 

Teaching Suggestions: Since this is a shorter update you could set up a table somewhere in your room and make that the “help” table to work with students. You can encourage students who you know do better with regular check-ins or are required to have check-ins per their IEP. Students can stop by for a brief period of time or set up shop there. Ideally, I like to meet with every student for a check-in. Even if they don’t want to, hearing what they enjoy about the book, or what they don’t like about it builds rapport.

 

Standards Mapping: CCSS.ELA-LITERACY.RL.7.2 Determine a theme or central idea of a text and analyze its development over the course of the text; provide an objective summary of the text.

CCSS.ELA-LITERACY.RL.7.1 Cite several pieces of textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.

 

Supplementary Resources: During whole group instruction, or small group instruction, I’ve used the slides below to practice inferences with groups that needed additional practice before working on their own. It’s here if you want an additional resource.

Inference Slides (Mocogni, Inferences, 2017)

 

5. Theme

For the Student

Learning Intention: To understand the idea of theme and identify the theme(s) present in your book.

  1. Meet with your group
  2. Each person should share an objective summary of what they read with the group
  3. Work through this update on theme on your own 

You may already be familiar with theme, every story, whether it’s written, a movie, or one your family tells every year at Thanksgiving has a theme. Theme is the central subject of the story. As you progress through your book, there may be multiple themes or one theme that develops over the course of the book. By this point in your reading, there should be a theme revealed to you.

What is the author saying about life?

What lessons can I learn from the characters /conflicts?

Theme sentence. (topic + conjunction + ‘so what?’)

Love

Love is important because it makes you selfless.

   
   

 

Themes are complete sentences, not just topic words like love, hardship, happiness, family, determination, faith, fear, etc. Look at the table above on the left-hand side; that is where you’ll put those topic words. On the right-hand side, you’ll create a theme sentence using the word on the left.

Your challenge is to think back and look back, in your World War II book. What was the theme in the beginning, middle, and now? The theme may have been the same topic word, but the sentence should be different as the characters and plot have both developed.

With the remaining class time read for the next class. While reading think about the theme over the course of your book as you’ll be asked to share in the comments.

 

Comment- Make a comment on how the theme has developed since the beginning of the book. If there are multiple themes include them in your response. If you can’t think of one, go back and look through the text. Make sure to use a theme sentence, not just the one word. Please use complete sentences! Comment on 2-3 other students’ posts making connections to the theme(s) in your book or others.

For the Teacher

Pedagogical Rationale: Theme is part of grade four common core reading literature standards, so it should be review for students. What is new this year, building on previous years' curriculum, is the idea of plot developing over the course of the story. This update attempts to provide a review of theme and introduce the idea of looking at plot over the entirety of the story. While students may not have finished their World War II novels at this point, they should be close to completing the work and be able to identify theme(s) present in the text. 

 

Teaching Suggestions: I have found that students struggle with theme. It’s something they know, but when you try to define and teach it, it becomes a bit convoluted. Take a look at the supplementary resources below for more suggestions on how this update could look.

 

Standards Mapping: CCSS.ELA-LITERACY.RL.7.2 Determine a theme or central idea of a text and analyze its development over the course of the text; provide an objective summary of the text.

 

Supplementary Resources: During whole group instruction, or small group instruction, I’ve used the slides below for additional practice on theme before having kids work on their own. It’s here if you want an additional resource.

Theme Slides (Mocogni, Theme, 2017)

Furthermore, knowing your students and looking at their survey responses you can determine if this update is adequate enough or not. If not, consider using short videos, like Pixar shorts, or The Present to help get theme across.

6. Compare & Contrast

For the Student

Learning Intention: To compare and contrast their historical fiction book with nonfiction text in social studies.

  1. Meet with your group
  2. Each person should share an objective summary of what they read with the group
  3. Work through this update on your own or with people who read the same book as you

You’ve been reading historical fiction books on World War II in this class. These are stories that aren’t true but can use real events, cultural markers, and places within the story. You’ve also been learning about World War II in social studies. In this update, you’re going to compare and contrast the fictional portrayal of World War II and nonfiction actual events. 

Compare = find likeness

Contrast = find differences

Use a graphic organizer to sort through the differences and likenesses. You can use something like a Venn Diagram (see below) or create one of your choice. One side should have your book title on it and the other ‘World War II’. Begin by looking at the events, place, and characters in your historical fiction book. Then, you can compare and contrast this information to what you know about World War II from social studies.

Venn Diagram (Lucid Chart, 2020)

There is no set amount you need to include, but it needs to be thorough where you’ve covered several aspects of characters, events, and the places your book addresses. Submit your compare and contrast organizer when you’re done.

 

Comment- What was the most striking contrast between your book and what actually occurred during World War II? What was an interesting comparison? Read through your peers’ remarks and comment on 2. Begin with @Name so the person knows you're commenting on their work!

For the Teacher

Pedagogical Rationale: Common core standards have students beginning to learn to compare and contrast in kindergarten. What is specific to seventh grade is that it asks students to look at a fictional portrayal of time to the historical record of that time. Timing this unit alongside or staggering it just after social studies teaches World War II works perfectly to meet this standard.

Graphic organizers have, in my experience, greatly benefited all students. According to researchers Tracey Hall and Nicole Strangman, successful learning outcomes were found for students ranging from elementary to university level both with and without disabilities (Hall & Strangman, 2008). Sometimes, students have had graphic organizer use written into their IEPs or 504 plans, but the use has been helpful for all students as indicated in the research above. Using a graphic organizer is a way for students to sort out their thoughts on papers. 

 

Teaching Suggestions: If you can’t time this to work with social studies consider doing a few lessons (the number is up to you) with nonfiction texts and/or videos to remind students about what was going on during World War II. See the supplementary resources listed below for some suggestions.

I’ve written about the use of graphic organizers in several of my previous learning modules stating, “For some students, this may seem like a “waste of time”, because they already “know everything they’re going to write”, however in my experience graphic organizers are extremely beneficial to keep information sorted . . . and provide a resource to refer back to.”

Additionally, it may be beneficial to have printed copies of the Venn Diagram or a three t-chart available for students who prefer to handwrite rather than use their device.

 

Standards Mapping: CCSS.ELA-LITERACY.RL.7.9 Compare and contrast a fictional portrayal of a time, place, or character and a historical account of the same period as a means of understanding how authors of fiction use or alter history.

 

Supplementary Resources: Some nonfiction resources to use as if you can’t time this alongside social studies teachings of World War II.

 

7. Project

For the Student

Learning Intention: To bring together everything you’ve worked on in this historical fiction unit!

You’re tasked with creating a project that shows your learning from all the elements of this unit. That includes an objective summary, inferences, connotation, compare and contrast to nonfiction, as well as theme. How you structure your work is up to you as well as the medium in which it’s presented. Those of you who like to write, you may choose to do a newspaper or newsletter of sorts. Do you prefer digital works, well then maybe you’ll make a website, wiki, or PowerPoint. Thinking more visually creative- you could create illustrations for each section and verbally explain them in an audio file. The possibilities seem endless!

The requirements are listed below in the rubric. This is the rubric that your peers will use when reviewing and providing feedback on your work as well as when you do a self-review. It’s also the same rubric that your teacher will be using to evaluate your work. 

 

Here’s what you need to have:

  • Objective Summary: This is a detailed complete summary of the entire book
  • Inferences: Demonstrate your understanding of inferences with examples from throughout the book, don’t forget your text evidence!
  • Connotation: Provide some examples of specific words the author chose and their connotative meaning.
  • Theme: What was the overall theme of the book?
  • Compare and Contrast: Using the graphic organizer from the update, compare and contrast your book to the actual history of World War II.

Additionally:

  • Organization: The work is laid out in a manner that’s easy for the reader to follow and understand
  • Conventions: You use complete sentences with varying sentence types. You follow spelling, capitalization, punctuation, grammar, and citation rules.
Rubric (Mocogni, WWII Historical Fiction Project Rubric, 2020)

 

For the Teacher

Pedagogical Rationale: Students have been working through this module for a while now. They’ve been getting formative assessments and feedback from you on the different reading literature elements. Now it’s time for them to show what they can do on their own. They can look back at their work and use that to help guide them or even use some of what they wrote before in their completed project, but this way you get to see what they can do on their own. 

 

Teaching Suggestions: You know your students best, so if you think they need more structure then you can provide graphic organizers for them to use when creating this project. Because I’m giving so much choice, creating a graphic organizer for each medium would be too time-consuming. You could also encourage students to create their own graphic organizers to help them become self-sufficient and take ownership of their learning.

I created this rubric for the first time for this module as I have never done this project at the end of book clubs. When students do go on to the peer review and self-review, encourage students to be honest in their feedback, but most importantly kind and constructive. Everyone is learning and growing!  The rubric doesn't include a peer review or self-review because the intention is that these would be used within a learning management system like Scholar.  

The module does not have instructions on how to do the peer review.  I wanted this update to be just about the project and to think about the peer review afterward.  If you plan to do the peer review consider whether you want it to be anonymous or not.  I would also suggest walking students through how to provide constructive feedback.    

If you have the time, consider creating a roughly put together version of the project for students to see. Showing students mentor texts, examples of excellent writing within the genre students are about to attempt themselves, is one of the best ways to improve students’ writing (Graham & Perin, 2007).

 

Standards Mapping: CCSS.ELA-LITERACY.RL.7.1 Cite several pieces of textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.

CCSS.ELA-LITERACY.RL.7.2 Determine a theme or central idea of a text and analyze its development over the course of the text; provide an objective summary of the text.

CCSS.ELA-LITERACY.RL.7.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of rhymes and other repetitions of sounds (e.g., alliteration) on a specific verse or stanza of a poem or section of a story or drama.

CCSS.ELA-LITERACY.RL.7.9 Compare and contrast a fictional portrayal of a time, place, or character and a historical account of the same period as a means of understanding how authors of fiction use or alter history.

CCSS.ELA-LITERACY.RL.7.10 By the end of the year, read and comprehend literature, including stories, dramas, and poems, in the grades 6-8 text complexity band proficiently, with scaffolding as needed at the high end of the range.

References

Armentrout, M. (2013, July 31). Writing an objective summary. Retrieved from YouTube: https://www.youtube.com/watch?v=bQT-g0yj92U

Common Core State Standards Initiative. (n.d.). English Language Arts Standards » Reading: Literature » Grade 7. Retrieved September 2019, from Common Core State Standards: http://www.corestandards.org/ELA-Literacy/RL/7/

Communication Coach Alex Lyon. (2018, December 10). Connotative vs Denotative . Retrieved from YouTube: https://www.youtube.com/watch?v=wqyS7AiHqLY

Cooper, H., Lindsay, J. J., Nye, B., & Greathouse, S. (1998, March). Relationships among attitudes about homework, amount of homework assigned and completed, and student achievement. Journal of Educational Psychology, 90(1), 70-83.

Fletcher, E. (2019, January 12). person holding book in book shelf . Retrieved from Unsplash: https://unsplash.com/s/photos/book-war

Graham, S., & Perin, D. (2007). EFFECTIVE STRATEGIES TO IMPROVE WRITING OF ADOLESCENTS IN MIDDLE AND HIGH SCHOOLS. New York: Carnegie Corporation.

Gratz, A. (2013, March 1). Prisoner B-3087. Retrieved from GoodReads: https://www.goodreads.com/book/show/15756277-prisoner-b-3087

Hall, T., & Strangman, N. (2008). Graphic Organizers. National Center of Accessing the General Curriculum at CAST.

Lowry, L. (1989). Number the Stars. Retrieved from GoodReads: https://www.goodreads.com/book/show/47281.Number_the_Stars

Lucid Chart. (2020). Venn diagram maker. Retrieved from Lucid Chart: https://www.lucidchart.com/pages/examples/venn_diagram_maker 

MasterClass. (2019, July 2). What Is Connotation? Learn About Connotation in Writing With Examples. Retrieved from MasterClass: https://www.masterclass.com/articles/what-is-connotation-learn-about-connotation-in-writing-with-examples#what-is-connotation

Mocogni, S. (2017, November 30). Inferences. Glenview, Illinois, United States of America.

Mocogni, S. (2017, December 4). Theme. Glenview, Illinois, United States of America.

Mocogni, S. (2020, April 15). Connotation and Denotation. Oregon City, Oregon, United States of America.

Mocogni, S. (2020, April 15). Objective Summary. Oregon City, Oregon, United States of America.

Mocogni, S. (2020, April 16). WWII Historical Fiction Project Rubric. Oregon City, Oregon, United States of America.

Park, L. S. (2002). When My Name Was Keoko. Retrieved from Barnes and Noble: https://www.barnesandnoble.com/w/when-my-name-was-keoko-linda-sue-park/1100302081?ean=9780547722399

Sepetys, R. (2016, February 2). Salt to the Sea. Retrieved from GoodReads: https://www.goodreads.com/book/show/25614492-salt-to-the-sea

Siah, P.-C., & Kwok, W.-L. (2010). The Value of Reading and the Effectiveness of Sustained Silent Reading. The Clearing House: A Journal of Educational Strategies, Issues and Ideas, 83(5), 168-174.

Speech and Language Kids. (2020). Making Inferences For Speech Therapy. Retrieved from Speech and Language Kids: www.speechandlanguagekids.com