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The Breadwinner by Deborah Ellis

Seventh-Grade Book Study

Learning Module

Abstract

In this learning module, grade seven students will be reading the book The Breadwinner by Deborah Ellis. In this module students will be working on different elements of literature as outlined in the Common Core State Standards. Some of these elements include, using text evidence, determining theme, how elements interact, figuring out the meaning of words in the text as well as connotation and figurative language use. Amongst all of this the hope is that educators will engage in culturally responsive teaching. As a culminating project, students will create a peer reviewed project that builds on the topic and challenges addressed in The Breadwinner. The goal is for students to be able to take what interests them and investigate.

Keywords

common core state standards, CCSS, grade seven, literature, text evidence, inferences, connotation, denotation, figurative language, theme, culturally responsive, The Breadwinner, Deborah Ellis, character development, history, compare/contrast, setting, plot

Overview

This learning module was put together to address some of the seventh-grade reading literature Common Core State Standards. When reading the book, The Breadwinner by Deborah Ellis, students will use text evidence to support their answers, determine theme, how different elements in the book interact, determine the meaning of words within the text, explore connotation, compare/contrast the book to its movie version, and examine figurative language. This learning module will also ask educators to engage in culturally responsive teaching as this book is about a girl living in Afghanistan during Taliban rule. At the end of the module, students will create a multimodal work of their choice based on an interest of theirs somehow related to the topics, theme, and/or issues addressed in The Breadwinner. 

During my four years teaching middle school language arts I used this book once. I used this with eighth-grade students but think that this would work better with seventh graders and would like to do that the next opportunity I have. My co-teacher and I selected this book because it had a female main character and was multicultural. However, after reading and using this book in the classroom I realize it is so much more. The struggles that Parvana, the main character, experiences are not unlike feelings teenagers have in the United States. But also, the rule and oppression Parvana experiences were unlike those my students had.

This learning module was created to have a better tool to use in the future if/when I teach seventh-grade language arts in the future. This was created keeping in mind my own experiences teaching other reading units and time working with middle grades students. There will be many similarities between this module and other learning modules I have created. You will see it in the sequence of events and in the resources I use. I do this so that my students are reminded of what they have learned/encountered in the past and because I am comfortable with my teaching style. My pedagogical beliefs come through in this work including chunking, reading aloud/audiobooks, differentiation, formative assessments, meeting students in their zone of proximal development, and reducing work outside of class.

I’ve written about reducing homework in previous learning modules with the thought that this might be used in a traditional classroom. If this is used for online learning, I would limit each section/lesson between 50 minutes and 1 hour. Here’s what I have previously written on homework:

The reasoning for minimizing the amount of homework students received was because we, my co-teacher and I, found the gap between students increasing exponentially. At the start of a project everyone was on the same page, but [soon] we had students fall behind their peers. There were multiple factors to this, but many were out of our control. One thing we could control was our time in class. Therefore, in this module you will see minimal homework, and most often it is asking students to respond to one another and what students identify as feasible (Cooper, Lindsay, Nye, & Greathouse, 1998).

As for an assessment plan and strategy, I would evaluate students on their updates and comments.  I would look at quality over quantity for these, but possibly provide minimums as a thorough response is probably at least 50 words.  Students will have to be given feedback before the next segment of the learning module so that they know where they stand in the course and what they can do to improve.    

This reading module is geared towards seventh graders, using the English Language Arts Reading: Literature Grade 7 Common Core State Standards. Reading, and English Language Arts Common Core Standards are unique in that they build upon each other year after year. While most of what we’re doing is not new, it is building students’ skills, confidence, and stamina.

Intended Learning Outcomes

For the Student

Some of the learning targets for this reading literature module include:

  • I can create a work that encompasses my learning from this module.
  • My work will contain multimedia elements to clarify my understanding. 

 

  • I can use text evidence to back up my reasoning.
  • I am able to determine the theme(s) of the book as it develops throughout the text.
  • I am able to look at the elements of a story and how they interact.
  • I can determine the meaning including the connotation of words.
  • I can determine the meaning of figurative language and the impact it has on meaning.
  • I can compare as well as contrast the filmed version to the book.

 

  • I will come to discussions prepared.
  • I will follow the norms/rules/expectations my group makes.
  • I will ask questions and respond to my peers’ questions/comments to further discussion.

For the Teacher

The targeted learners for this module are seventh-grade reading students. These students are in the general education classroom setting, even if they have individualized reading and writing goals per their IEP or 504. 

The curriculum standards come from the English Language Arts Reading: Literature Grade 7 Common Core State Standards and are listed below. This module uses English Language Arts Common Core State Standards as they are accepted in 42 of the 50 states.

CCSS.ELA-LITERACY.RL.7.1 Cite several pieces of textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.

CCSS.ELA-LITERACY.RL.7.2 Determine a theme or central idea of a text and analyze its development over the course of the text; provide an objective summary of the text.

CCSS.ELA-LITERACY.RL.7.3 Analyze how particular elements of a story or drama interact (e.g., how setting shapes the characters or plot).

CCSS.ELA-LITERACY.RL.7.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of rhymes and other repetitions of sounds (e.g., alliteration) on a specific verse or stanza of a poem or section of a story or drama.

CCSS.ELA-LITERACY.RL.7.7 Compare and contrast a written story, drama, or poem to its audio, filmed, staged, or multimedia version, analyzing the effects of techniques unique to each medium (e.g., lighting, sound, color, or camera focus and angles in a film).

CCSS.ELA-LITERACY.RL.7.10 By the end of the year, read and comprehend literature, including stories, dramas, and poems, in the grades 6-8 text complexity band proficiently, with scaffolding as needed at the high end of the range.

 

In addition to the reading literature standards, students will also be addressing the following Speaking & Listening Common Core Standards.

 

CCSS.ELA-LITERACY.SL.7.1 Engage effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grade 7 topics, texts, and issues, building on others' ideas and expressing their own clearly.

CCSS.ELA-LITERACY.SL.7.1.A Come to discussions prepared, having read or researched material under study; explicitly draw on that preparation by referring to evidence on the topic, text, or issue to probe and reflect on ideas under discussion.

CCSS.ELA-LITERACY.SL.7.1.C Pose questions that elicit elaboration and respond to others' questions and comments with relevant observations and ideas that bring the discussion back on topic as needed.

CCSS.ELA-LITERACY.SL.7.1.D Acknowledge new information expressed by others and, when warranted, modify their own views.

CCSS.ELA-LITERACY.SL.7.4 Present claims and findings, emphasizing salient points in a focused, coherent manner with pertinent descriptions, facts, details, and examples; use appropriate eye contact, adequate volume, and clear pronunciation.

CCSS.ELA-LITERACY.SL.7.5 Include multimedia components and visual displays in presentations to clarify claims and findings and emphasize salient points.

CCSS.ELA-LITERACY.SL.7.6 Adapt speech to a variety of contexts and tasks, demonstrating command of formal English when indicated or appropriate.

 

Furthermore, in addition to the reading literature standards and the speaking & listening standards, the following language standards will be addressed in this module.

 

CCSS.ELA-LITERACY.L.7.4 Determine or clarify the meaning of unknown and multiple-meaning words and phrases based on grade 7 reading and content, choosing flexibly from a range of strategies.

CCSS.ELA-LITERACY.L.7.4.A Use context (e.g., the overall meaning of a sentence or paragraph; a word's position or function in a sentence) as a clue to the meaning of a word or phrase.

CCSS.ELA-LITERACY.L.7.4.C Consult general and specialized reference materials (e.g., dictionaries, glossaries, thesauruses), both print and digital, to find the pronunciation of a word or determine or clarify its precise meaning or its part of speech.

CCSS.ELA-LITERACY.L.7.4.D Verify the preliminary determination of the meaning of a word or phrase (e.g., by checking the inferred meaning in context or in a dictionary).

CCSS.ELA-LITERACY.L.7.5 Demonstrate understanding of figurative language, word relationships, and nuances in word meanings.

CCSS.ELA-LITERACY.L.7.5.B Use the relationship between particular words (e.g., synonym/antonym, analogy) to better understand each of the words.

CCSS.ELA-LITERACY.L.7.5.C Distinguish among the connotations (associations) of words with similar denotations (definitions) (e.g., refined, respectful, polite, diplomatic, condescending).

CCSS.ELA-LITERACY.L.7.6 Acquire and use accurately grade-appropriate general academic and domain-specific words and phrases; gather vocabulary knowledge when considering a word or phrase important to comprehension or expression.

 

The intended targets/outcomes of this module for students are included below. These are only a few of the many as you can see contrasting the standards listed above and the following listed targets.

  • Students will create a work that encompasses their learning from this module.
  • Students’ work will contain multimedia elements to clarify my understanding.

 

  • Students can use text evidence to back up their claims.
  • Students are able to determine the theme(s) of the book as it develops throughout the text.
  • Students are able to look at the elements of a story and how they interact.
  • Students can determine the meaning including the connotation of words.
  • Students can determine the meaning of figurative language and the impact it has on meaning.
  • Students will compare as well as contrast the filmed version of The Breadwinner to the book.

 

  • Students will come to discussion prepared.
  • Students will ask questions and respond to their peers’ questions/comments to further discussion.

If this is used in a traditional classroom you will be constrained to your given class time. However, if you are not faced with that, I would limit each section to between 50-60 minutes. Please consider making modifications and alterations to any part of this unit to best meet the needs of your students. I created this unit with my students in mind, but yours may have different interests and thoughts! This was created with the understanding that each student would have a device or access to one.

1. Introduction to The Breadwinner

For the Student

Learning Intention: To have background knowledge of the book, Afghanistan, and the Taliban.

Before we begin, please complete the pre-survey that has been distributed so that I can get a feel for what you already know about some literature reading standards and multiculturalism. Please answer honestly (this will not be for a grade). 

We are going to be reading the book The Breadwinner by Deborah Ellis. We’ll be reading in different formats such as whole group, individually, small group, and listening to the audiobook version. This book is about a girl living in Afghanistan while a group called the Taliban ruled. Check out the trailer for the animated film, which we will be watching later, below.

Media embedded July 19, 2020

StudiocanalUK. (2018, April 10). THE BREADWINNER - Official Trailer - Dir. by Nora Twomey and executive prod. Angelina Jolie. Retrieved from YouTube: https://www.youtube.com/watch?v=SnpBc8YvGpk

Update- Research several facts about Afghanistan (geography, climate, historical information, architecture, agriculture, etc.). How do those facts compare/contrast to where you live?

Comment- What does the term “breadwinner” mean to you? Take a look at the definition if you’re unsure here, but you still need to put it in your own words. Why do you think it was chosen as the title? Read other students' ideas and comment on 2-3. Start with @Name so the person knows you’re commenting on them!

For the Teacher

Pedagogical Rationale: As is true with many books, you can dig deep and have some very meaningful discussion with The Breadwinner on militias, women’s rights, family structure, global relations, and more. Beginning with a survey will give you an idea of where your students are at with the literature standards as well as with Afghani culture. Having students look into the setting of the book and research more than just the flag or language will hopefully give them some insight while reading as to what Parvana’s life has been like.

 

Teaching Suggestions: This is currently set up for one-to-one devices, however, this can be modified for in-class teaching. Rather than have students write comments and respond, you could have them think-pair-share or do concentric circles.

I do not include a word limit for the comments as a personal preference. Rather than grade on meeting the minimum, I look at whether or not they answered the question completely. For some students this will take 20 words, and others 100 words.

If you’re in person and walking about the room or working with a group, consider steering students towards researching Afghanistan during Taliban rule (when this book takes place). This is not explicitly stated on the student side as this historical research takes a bit more time and isn’t as readily available as current facts are. 

 

Standards Mapping: None of the standards directly align with this portion of the module. This set-up will help students in all of the standards as we progress.

 

Supplementary Resources: Below are some links to reliable sources that you can share with students. You can share with the entire class, or just with those who are still establishing the skill of understanding and using reliable sources.  Of course, if you have never discussed reliable sources, pause and look into doing a lesson on that.  

2. Elements in the Text

For the Student

Learning Intention: To look at how the setting impacts the characters and the plot.

In this lesson, we’re going to look at how some different literature elements of the story shape the characters and plot. There are several characters in this book, but the book is centered around Parvana, a girl living in Kabul. 

  1. Create a “Quick Facts” sheet of all the information you and your classmates gathered on Afghanistan in the previous update.
  2. Look at the two maps of Afghanistan below when engaging in the discussion questions with your peers.
Physical Map of Afghanistan (www.freeworldmaps.net, 2019)
Map of Middle East (Moen, 2020)

Discussion Questions

  1. What are some of Afghanistan’s geographical features (landlocked, bodies of water, regions, major cities, bordering countries)?
  2. How do these features impact the people who live there?
  3. How does Afghanistan compare to where you live (size, and other geographical features)?
  4. The Breadwinner takes place in Kabul. What does this mean for our main character, Parvana?

Update- How have the geographical features where you live impacted your life?   What are the features and how have they impacted you? Would you be different if you lived somewhere else in the world?

Comment- Have you ever made an assumption about someone before getting to know them and where they are from? What assumptions do we make? Why do you think we do this? How can we do better? Start with @Name so the person knows you're commenting on them!

For the Teacher

Pedagogical Rationale: I chose these questions because I think that they will help students understand the world that Parvana lives in. The goal is for them to understand that the setting, both physical and mental, affects how the story can go. There’s no way Parvana will all of a sudden be in a school when the Taliban have forbidden girls from being educated. I would also like for students to understand that we may come to the table with biases that impact how we see and judge others before knowing them. 

 

Teaching Suggestions: By this point, your students may already be familiar with discussions, but if this is the first-time students have ever led/held discussion, you may need to provide more structure and examples as to how to appropriately engage and build off ideas. If students or a specific group of students needs more assistance, consider sitting in with that group. How you structure groups is up to you. Personally, I prefer smaller groups to whole-class discussions where it can seem daunting to speak up and share your thoughts (fear of being wrong, fear of peer’s thoughts, fear of speaking, etc.).

While this module isn’t about multiculturalism, be aware that students may use racist language, or have microaggressions that they aren’t even aware of. In my opinion, it is our role as educators to educate and inform. I have a module about multiculturalism that you can check out here, and I think that it’s important to note that this is not a book written by an Afghani woman, but is about an Afghani girl. Here’s what I’ve said about multiculturalism previously:

Depending on where students come from, their home life, and previous education they may have never interacted with someone a different skin color than themselves. The video below goes into detail about why it’s important to teach multiculturalism in a way that is content rigorous, from multiple perspectives, and engages critical thinking.

Media embedded July 19, 2020

TEDxTalks. (2013, March 22). Multiculturalism in the Modern World: Jen Holladay at TEDxDenverTeachers. Retrieved from YouTube: https://www.youtube.com/watch?v=U5rKgDOs33U

 

Standards Mapping: CCSS.ELA-LITERACY.RL.7.3 Analyze how particular elements of a story or drama interact (e.g., how setting shapes the characters or plot).

 

Supplementary Resources: If you have other world maps or maps of where you physically live these would be great to bring in and share with your students. Additionally, you could bring in demographic information and town/state/country data.

3. Inferences and Text Evidence

For the Student

Learning Intention: To use evidence from the text that most strongly supports your inference and/or claim. 

Inferences are information that you get by reading between the lines. “Her stomach grumbles”, might lead you to determine the character is hungry or hasn’t eaten in a while. The text doesn’t say she’s hungry, but you INFER that. On the other hand, the text can say things explicitly. “She’s famished”, would lead you to understand that she is very hungry. You still use text evidence to understand, but it’s clearer and more obvious to the reader because it’s directly stated by the author.  The infographic below is a visual representation of what you do each time you make an inference. 

Inference Infographic (Speech and Language Kids, 2015)

While listening to your instructor read chapters one and two think about what you understand about characters, plot, setting, etc. How do you know this? Is it explicitly stated, or did you make an inference based on textual clues? Choose the BEST piece of text evidence that most strongly supports what you understand from the text. Use the table below to help you organize your findings.

Text Evidence (what the text says)

What I understand from the text (inference or explicitly stated)

Ex. “Her feet burned as they touched the sand”

Ex. I understand this to mean the ground is very hot.

Ex. “His lungs burned"

Ex. I can infer that the character's lung hurt.

   
   

Update- How has Parvana's, the main character, life changed over the past 10 years? (You may need to use your inference skills here). What about your own life, has it changed over the past 10 years? How are you similar to and different from Parvana in this way?

Comment- Make a comment on an inference you made from the reading you just completed in class. Make sure to include what the text says, the evidence, along with your inference. Also, include text evidence when the author explicitly stated what was going on and put it in your own words. Comment on 2-3 other students’ posts making connections to yourself/others or helping them if they accidentally made a prediction. Begin with @Name so they know you’re responding to them.

For the Teacher

Pedagogical Rationale: This book is less than 180 pages and made up of 15 chapters. There are some longer chapters and then shorter ones, you can break it up how you want to, but I’m starting off with the first two chapters because it leaves the reader wanting to know what happens next. I was not able to find a recording of the author reading the text, and the audiobook version has a British narrator, so I would decide to read the first two chapters out loud to the entire class. I think that it is important to begin this book with a modeled version of how to pronounce some of the characters' names as they are Afghani. 

This seventh-grade reading literature standard asks students to make an inference as well as recognize when the author says something explicitly. The table with two examples was made to help students see the difference between the two and see examples to help them.

 

Teaching Suggestions: You could set up a table somewhere in your room and make that the “help” table to work with students after the reading is completed. You can encourage students who you know do better with regular check-ins or are required to have check-ins per their IEP. Students can stop by for a brief period of time or set up shop there. Ideally, I like to meet with every student for a check-in. Even if they don’t want to, hearing what they enjoy about the book, or what they don’t like about it builds rapport.

I would also suggest that you have students create a visualization board/document where they can draw different things as they appear in the text. When I did this whole group, I would pull names of two students to draw on the whiteboard as we were reading the book out loud. This way a variety of interpretations and artistic ways were represented. At the end of the class, the students would explain what they drew and why, essentially providing a summary of the reading. Students could look up at this visualization to help them remember aspects of the book, characters, setting, and events.

 

Standards Mapping: CCSS.ELA-LITERACY.RL.7.1 Cite several pieces of textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.

 

Supplementary Resources: Below is a PDF of a study guide available on Deborah Ellis’ website. It includes chapter questions, follow up activities, and resources for educators.

The Breadwinner Study Guide (Groundwood Books, 2014)

 

4. Denotation, Connotation, Figurative Language

For the Student

Learning Intention: Your target is to determine the figurative, connotative, and denotative meaning of a word(s) in the text. 

You can choose how you want to read the next chapters of the book. You can read it on your own, listen to the audiobook version, read aloud with a friend (groups of three or less), or listen to me read the book aloud. Pick the option that is best for you today, even if your friend chooses something different!

Denotation is the dictionary definition of the word. On the other hand, the connotation is different from the literal meaning of the word, it’s the feeling or emotion associated with the word. If an author says, ‘Parvana is determined”, this has a different connotative meaning than ‘Parvana is stubborn’. Word choice matters, it paints a different picture in your head and helps you form opinions in the text. The image below provides some examples of positive and negative connotations.

  • Denotation = Dictionary Definition
  • Connotation = Feeling/Emotion associated with the word
Connotation Examples (Mocogni, 2020)

Figurative language, like connotation, is not literal. It has a different meaning than the dictionary definition of the word. This type of language is nonliteral and adds more description to the text and the characters using it. Figurative language adds additional meaning to the text and can paint a picture of how people are feeling or reacting. There are not many examples of figurative language in The Breadwinner.

Update- Share a story of when you were in a situation and the connotation of the word was important. Did you use a specific connotation to express your pleasure or displeasure (please note that there is no room for hate or intolerance here)? Did someone say something that made you feel a certain way because of their word choice?

Comment- Comment on three of your peers’ updates. Show them support as they share their personal stories. Have you experienced anything similar? Can you empathize with how they felt? Begin with @Name so they know you’re talking to them.

For the Teacher

Pedagogical Rationale: Connotation is introduced in sixth grade, so students may still need some help with understanding this. More importantly, students may need help identifying words in the text and determining their impact on how the story is interpreted. This is something that many students already do but thinking about why and how we know these things is important. You can help them out by focusing on the words used to describe the Taliban which have more of a negative connotation. 

Figurative language is introduced in fifth grade but limited to similes and metaphors. Just like with connotation, students probably understand what it is, but struggle to identify it within the text and then analyze the significance of it.

 

Teaching Suggestions: When this is being done within a classroom setting consider working with a higher needs group, like those with reading goals or reading disabilities, or rotating through students. If this book is out of students’ zone of proximal development, they may not be able to follow along as well when you read aloud.  The idea though is that students are reading in a way that resonates with them, but they may need help to choose "correctly".  There isn't a set amount listed to read.  This is up to you and how long you plan to spend on each portion.  Reminder, the book is just about 180 pages and comprised of 15 chapters.    

Urge students to look at the significance behind the word and phrase choice the author uses. While they may be able to identify and label connotation, the next higher-order thinking step is to evaluate the effect these have on us as the reader.

 

Standards Mapping: CCSS.ELA-LITERACY.RL.7.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of rhymes and other repetitions of sounds (e.g., alliteration) on a specific verse or stanza of a poem or section of a story or drama.

CCSS.ELA-LITERACY.L.7.4 Determine or clarify the meaning of unknown and multiple-meaning words and phrases based on grade 7 reading and content, choosing flexibly from a range of strategies.

 

Supplementary Resources: Knowing your students, you may want to provide a sheet that defines connotation and denotation for them to have on hand. Below are two worksheets that students can use, one of which I created for a previous learning module.  Both are still applicable.

Team Name Connotations (Sanazaro, 2020)
Connotation and Denotation Guide ​(Mocogni, Connotation and Denotation, 2020)

 

5. Theme

For the Student

Learning Intention: To understand the idea of theme and identify the theme(s) present in The Breadwinner.

You are already familiar with theme whether you know it or not. Every story, whether it’s written, a movie, video game, or your favorite TV show has a theme. The theme is the central subject of the story. As we’ve moved through Parvana’s story there’s been a theme that has developed over the course of the book. Or, maybe you think several themes have emerged.

Themes are complete sentences, not just topic words like love, hardship, happiness, family, determination, faith, fear, hard work, etc. Watch the video below beginning at 1:27 thinking about the theme in the story the man tells.

Media embedded July 19, 2020

McGraw-Hill PreK-12. (2014, May 20). Fun Animation Showing How to Identify a Theme within a Story. Retrieved from YouTube: https://www.youtube.com/watch?v=AXPbijjMnV8

In the video, you can see how the theme of the story changes as the story progresses. As the characters say, the setting and plot changed the theme. This can happen and is why there can be multiple themes throughout the book. 

Read the assigned portion of the book before moving on to the rest of the update.

Your challenge is to think back and look back in The Breadwinner. What was the theme in the beginning and now? The theme may have been the same topic word, but the sentence should be different as Parvana has had to change and the plot has developed. The table below is for you to use to help create your themes. On the left-hand side is where the topic words can go, and on the right-hand side, you’ll create a theme sentence using the word on the left.

What is the author saying about life? What lessons can I learn from the characters /conflicts?

Theme sentence. (topic + conjunction + ‘so what?’)

Lying If you lie you are only going to make things worse. 
   
   

Update- Think back to a book you read, movie you watched, etc. and recall the theme.  How did you know this was the theme? If you were to identify the theme for your life up to this point, what would it be?

Comment- Make a comment on how the theme has developed since the beginning of the book when Parvana was just a girl with her father in the market. If there are multiple themes include them in your response. Make sure to use a theme sentence, not just the one word. Please use complete sentences! Comment on 2-3 other students’ posts making connections to the theme(s) that stood out to them.

For the Teacher

Pedagogical Rationale: Theme is part of Common Core Reading Literature Standards beginning back in fourth grade. Seventh grade builds on previous years' curriculum, but the idea of the theme developing over the course of the story is new this year. This update attempts to provide a very brief review of theme with the video and introduce the idea of looking at plot over the entirety of the story. This update asks students to look at the beginning of the book compared to where they are now, which should be at least halfway. 

 

Teaching Suggestions: If you’d rather wait to discuss theme using all three sections of the book, beginning, middle, and end, then you can wait to do this when you’ve completed reading the book. Discussing and looking at theme will still work at any point, but one will not be able to see the entirety of its development.

I have found that students struggle with theme. It’s something they know, but when you try to define, teach it, and explain it, it becomes a bit convoluted. Take a look at the supplementary resources below for more suggestions on how this update could look.

 

Standards Mapping: CCSS.ELA-LITERACY.RL.7.2 Determine a theme or central idea of a text and analyze its development over the course of the text; provide an objective summary of the text.

 

Supplementary Resources: In the past and in previous modules I’ve used the slides below for additional practice on theme before having kids work on their own. It’s here if you want an additional resource.

Theme Slides (Mocogni, Theme, 2017)

I’ve written about this next resource in previous learning modules too. Here’s what I’ve found enjoyable, educational, and effective:

". . . consider using short videos, like Pixar shorts, or The Present to help get theme across."

6. Compare & Contrast

For the Student

Learning Intention: To compare and contrast the animated film of The Breadwinner to its book.

Once you’ve finished the remainder of the book The Breadwinner. We are going to watch the Academy Award-nominated animated film. While watching we are going to compare and contrast the plot, theme, setting, and cultural references between the two.  

  • Compare = find likeness
  • Contrast = find differences

Use a graphic organizer to sort through the differences and likenesses. You can use something like a Venn Diagram (see below) or create one of your choice. One side should say “The Breadwinner Book” and the other "Animated Film". We will be looking beyond characters’ looks (hair color, height, eyes, etc.). Also, take a look at how color and sound is used to make you feel and think in the film.

Venn Diagram Option (Lucid Chart, 2020)

There is no set amount you need to include, but it needs to be thorough where you’ve covered several aspects of characters and events. Submit your compare and contrast organizer once we’ve finished watching the film.

Update- What other texts have you read that have been translated into movies? Which one did you end up learning more from? Which one did you enjoy more? Why? Is it important that animation was chosen rather than live-action?

Comment- What was the most striking contrast between The Breadwinner book and the animated adaptation? What was an interesting comparison? Read through your peers’ remarks and comment on two. Begin with @Name so the person knows you're commenting on their work!

For the Teacher

Pedagogical Rationale: Common Core Standards have students beginning to learn to compare and contrast in kindergarten. What is specific to seventh grade is that it asks students to think about the effect different techniques across different mediums have on us the receiver.

Graphic organizers have, in my experience, greatly benefited all students. According to researchers Tracey Hall and Nicole Strangman, successful learning outcomes were found for students ranging from elementary to university level both with and without disabilities (Hall & Strangman, 2008). I have had students with graphic organizer use written into their IEPs or 504 plans, but the use has been helpful for all students as indicated in the research above. Using a graphic organizer is a way for students to sort out their thoughts on paper rather than just in their minds.

This standard can be changed to CCSS.ELA-LITERACY.RL.7.9 which compares and contrasts a fictional portrayal of a time, place, or character and a historical account of the same period. This would require students to look at Afghanistan during Taliban rule, look at nonfiction texts, and news reports. If you have time in your unit, I think that it would be great to have both the movie and historical accounts addressed. 

 

Teaching Suggestions: This film is available on Netflix, Amazon, and iTunes. Your local library may also have it if the aforementioned aren’t available.

It may be beneficial to have printed copies of the Venn Diagram or a three t-chart available for students who prefer to handwrite rather than use their device.

 

Standards Mapping: CCSS.ELA-LITERACY.RL.7.7 Compare and contrast a written story, drama, or poem to its audio, filmed, staged, or multimedia version, analyzing the effects of techniques unique to each medium (e.g., lighting, sound, color, or camera focus and angles in a film).

 

Supplementary Resources: You may want to provide other types of graphic organizers for your students or have paper copies available to use. The site below has several different options.

7. Extension Project

For the Student

Learning Intention: To extend our learning using this module and/or ideas from The Breadwinner

You’re tasked with creating a multimodal work that extends from The Breadwinner. Think about all the work we did when reading the book, such as looking at connotation, theme, creating inferences, character development, and more. You may want to do something more structural that focuses on the aspects listed above, or you can do something totally different. Here are some that come to my mind:

  • Compare and contrast your life to Parvana’s.
  • Compare and contrast life in Kabul before and after the Taliban ruled.
  • Tell a scene in the book from another character’s point of view.
  • Research an aid organization and report on their work.
  • Research a country that is currently experiencing militia rule.
  • How are women treated where you live? Compare and contrast with Parvana’s experience.
  • Create a film of your own version of the book.
  • You could look at what makes someone brave.
  • Do you have a different favorite character? Rewrite a chapter from their point of view.

Thinking of something different? I’d love to hear about it!

Whatever your topic is, you need to put your work together in some sort of multimodal way. This can be a paper with media elements, a video, a podcast, a website, or something else.

For a detailed view of the requirements check out the rubric below. Here are some of the requirements:

  1. Convey in your introduction how your topic aligns with The Breadwinner. Think about the book’s theme(s) and/or your experience and interests.
  2. Include images, diagrams, tables, videos, weblinks, PDFs, or other media.
  3. Have a reference portion with at least two reliable sources, plus any media.
  4. Use the rubric for more detailed specifics.

Below is the rubric that your peers will use when reviewing and providing feedback on your work as well as when you do a self-review. It’s also the same rubric that your teacher will be using to evaluate your work.

Project Rubric (Mocogni, Breadwinner Extension Project Rubric, 2020)

 

For the Teacher

Pedagogical Rationale: Students have been working through this module for a while now. They’ve been getting formative assessments and feedback on the different reading literature elements. Now it’s time for them to extend their learning and work on something that they find important/interesting. My thought is that they can do any project that they want as long as it somehow relates back to the book (or they convince me it relates back to the book). I’ve never done this before in person but had a lot of fun creating it for my last learning module on Ghost by Jason Reynolds. I like the idea of letting students take this where it may and really find what intrigues them. They’ll still be working on researching, and writing, and some literary elements, but it is unique to them. 

 

Teaching Suggestions: You know your students best. If you think they need more guidance and structure then you can provide graphic organizers for them to use when creating this project. You could also limit the prompts, or suggest specific prompts to individuals depending on ability, home life, IEP, etc. Because I’m giving so much choice, creating a single graphic organizer wouldn’t work, but I would sit with students and help them create one! You could also encourage students to create their own graphic organizers to help them become self-sufficient and take ownership of their learning.

I created this rubric for the second time for this module as I have never done this type of project in person. Giving students this much freedom is a bit daunting (thinking of having to manage it all), but it’s also very freeing to say to students, “You got this, go where your passion and interest takes you”. I have never given students this much freedom, but I hope one day I can implement this to see what students choose and how they work through this. When students do go on to the peer and self-review, encourage students to be honest in their feedback, but most importantly kind and constructive. Everyone is learning and growing!

 

Standards Mapping: I’m not listing any standards, because all of the ones listed above could be applicable. Each student will be doing their own project so the standards they are hitting will be different, but all students will be addressing the same rubric.

References

Cooper, H., Lindsay, J. J., Nye, B., & Greathouse, S. (1998, March). Relationships among attitudes about homework, amount of homework assigned and completed, and student achievement. Journal of Educational Psychology, 90(1), 70-83. 

Groundwood Books. (2014). Teacher Resources. Retrieved from Deborah Ellis: http://deborahellis.com/teacher-resources

Hall, T., & Strangman, N. (2008). Graphic Organizers. National Center of Accessing the General Curriculum at CAST.

Lucid Chart. (2020). Venn diagram maker. Retrieved from Lucid Chart: https://www.lucidchart.com/pages/examples/venn_diagram_maker

McGraw-Hill PreK-12. (2014, May 20). Fun Animation Showing How to Identify a Theme within a Story. Retrieved from YouTube: https://www.youtube.com/watch?v=AXPbijjMnV8

Mocogni, S. (2020, July 19). Breadwinner Extension Project Rubric. Oregon City, Oregon, United States of America.

Mocogni, S. (2020, April 15). Connotation and Denotation. Oregon City, Oregon, United States of America.

Mocogni, S. (2020, July 17). Connotation Chart. Oregon City, Oregon, United States of America.

Moen, J. (2020, June 16). Large Map Of Middle East, Easy To Read And Printable. Retrieved from World Atlas: https://www.worldatlas.com/aatlas/infopage/printpage/gulfaden.htm

Sanazaro, C. (2020). Connotation: Effective Word Choice. Retrieved from Scholastic: https://www.scholastic.com/teachers/unit-plans/teaching-content/connotation-effective-word-choice/

Speech and Language Kids. (2015, March 23). Making Inferences For Speech Therapy. Retrieved from Speech and Language Kids: www.speechandlanguagekids.com

StudiocanalUK. (2018, April 10). THE BREADWINNER - Official Trailer - Dir. by Nora Twomey and executive prod. Angelina Jolie. Retrieved from YouTube: https://www.youtube.com/watch?v=SnpBc8YvGpk

www.freeworldmaps.net. (2019). AFGHANISTAN PHYSICAL MAP. Retrieved from FreeWorldMaps.Net: https://www.freeworldmaps.net/asia/afghanistan/map.html