This learning module is a week-long unit designed for an AP Language and Composition course, what my school district calls AP Rhetorical Analysis. I have used many of the following texts (both visual and reading) in my classroom before, but I reframed the ways in which students interact with the materials and each other. Each of the 6 updates is designed to take somewhere between 20-40 minutes worth of work, so the idea is that each update can take place within the time frame of one traditional class period. This learning module is designed to take place further into the year once students have learned the basic concepts of rhetoric like the rhetorical triangle.
The design of the Learning Module follows the Universal Design for Learning as explained by Dr. William Cope and Dr. Mary Kalantzis (Cope & Kalantzis, 2021a; Cope & Kalantzis, 2021b).
In addition, the module applies course concepts in the following ways:
The learning module aligns with the following AP Language and Composition Enduring Understandings and Essential Knowledge:
Over the next week in class, you will encounter and analyze visual, audio, and written texts to better understand analysis and argument in real-world periodical articles. In this learning module you will:
You will need:
This learning module is designed as an application of rhetorical analysis and argument skills. It is useful to conduct this module over a Learning Management System such as Google Classroom, Schoology, or CG Scholar. Over the course of this learning module, students will:
Focus: Seeing A Photograph
Read the instructions for the "Write a comment" first. Respond to that comment, then return to the update here.
Today, you are going to spend a lot of time looking at a photograph. You need to spend that time to really see it and everything it has to offer. The photograph you are observing is below. You may or may not have seen it before. Either way, your task is to simply observe the photograph.
Start the timer below, and look at the photograph above for 10 minutes of time. Try to do it continuously. It will feel a little ridiculous, but keep doing it anyway. While you are looking at the photograph, keep track of what you are observing in your update.
Eschborn, A. (2015, September 7). 10-minute timer [Video]. YouTube. https://www.youtube.com/watch?v=4ASKMcdCc3g
Write a Comment: Where do you most often see and/or encounter photographs? How much time do you tend to spend with one when you see and/or encounter it?
Make an Update: Take note of your initial reaction to the image. Then, keep looking at the photograph. What do you notice? Name 20, yes 20, specific details that stand out to you. Use the set of slides below to focus on specific parts of the details. Sometimes it is easier to see when you block parts of the image out. You can make conclusions as well, but do your best to make your conclusions based on observations first (i.e. Conclusion: The photo is old. Observation: the photo is in black and white so I think that it is old.)
The key to this update is to emphasize the patience students need to exert in order to be able to “see” and understand this image well.
In addition, it is useful for students to note their assumptions and conclusions from their observation in a way that they can return to later so that they can see just how vastly different the image in this update is from the image in the next update. They may need some encouragement to keep making observations and make it all the way to 20 observations.
Universal Design for Learning (UDL)
This update is an example of “Experiencing …
the known – learners reflect on their own familiar experiences, interests, and perspectives.
the new – learners observe or take part in something that is unfamiliar; they are immersed in new situations or contents” (Cope & Kalantzis, 2021a).
In this update, students participate in “Activities that bring in the students’ own experiences and existing knowledge” because they are asked to note their observations about this image using only what they presently know (Cope & Kalantzis, 2021b). It is a great way to activate background knowledge while “immersing students in new experiences or information” because this is likely an image they have not seen before (Cope & Kalantzis, 2021b).
AP Language & Composition Course and Exam Description (CED) Enduring Understandings and Essential Knowledge:
NONE
This is more of a preparatory Update. Enduring Understanding and Essential Knowledge standards will begin with Update 3.
Focus: Seeing an Artistic Representation of the Photograph
Read through and comment on at least 3 peers' updates reacting to their observations. What did they notice that you missed? Do you agree or disagree with their observation? If they reach a conclusion about the photograph, ask them where that conclusion came from.
That photo you looked at in the previous update is titled the “Footsoldier of Birmingham”. Below is a sculpture that was inspired by the photograph.
Here is an interactive link to see the sculpture more closely. Here is a side-by-side of the two.
Make a Comment: Your task again is to make observations, this time about the differences between the photograph and the sculpture. Take note of your initial reaction to the two. Then, what else do you notice? Compare and contrast the photo you looked at in the previous update and the sculpture above. Then, keep looking. Name 10 specific details that stand out to you. Use [this set of slides] to focus on specific parts of the details. Sometimes it is easier to see when you block parts of the image out. Again, make sure that you are focusing on observations more so than conclusions.
Make an Update: Your task is threefold.
1. First, state the argument of the photograph. What does the photographer want you to take away from the image? Give specific textual evidence (point to specific details in the photo) that leads you to that conclusion.
2. Next, state the argument of the sculpture. What does the sculptor want you to take away from the sculpture? Give specific textual evidence (point to specific details in the sculpture) that leads you to that conclusion.
3. Finally, why are the differences important?
As the instructor, make sure to provide enough time to emphasize the details of comparison. It is clear that both images are similar, but the small changes truly show the differences in argument. It is also useful to ask them why they think there are differences or what impressions those differences give.
Universal Design for Learning (UDL)
Students are again “Experiencing the new” because they will “observe or take part in something that is unfamiliar; they are immersed in new situations or contents” when they encounter the sculpture paired next to the photograph (Cope & Kalantzis, 2021a).
AP Language & Composition Course and Exam Description (CED) Enduring Understandings and Essential Knowledge:
NONE
This is more of a preparatory Update. Enduring Understanding and Essential Knowledge standards will begin with Update 3.
Focus: Perspective
Read through and comment on at least 3 peers' updates reacting to their observations. Do you agree or disagree with what they said the argument of the photograph or sculpture was?
Then, listen to the podcast episode titled “The Foot Soldier of Birmingham” in Revisionist History by Malcolm Gladwell. In it, you will learn more about the photo’s history and the sculpture, a piece of artwork that the photo inspired. As you read and listen, your task is to understand both the argument he is making and HOW he is making that argument. You can use this link to listen to the episode.
As you listen to the podcast and read along with it using the transcript linked below. As you listen, note the evidence that Gladwell uses, the structure of his piece, and his overall argument.
Make a Comment: How did the podcast change, challenge, or confirm your thinking after observing both the photograph and sculpture without context? What was the most interesting or impactful detail or fact that you learned from the podcast?
Make an Update: You have identified the argument of the photograph and the argument of the sculpture. Now, what is the argument of the podcast? In addition, how does Gladwell make his argument? What made his argument compelling? What rhetorical choice does he deploy?
It may even be a good idea to ask students to read and listen to the podcast twice: once for understanding and a second time to analyze rhetoric, rhetorical choices, and choices in craft.
Universal Design for Learning (UDL)
In addition to observing, students are “Conceptualizing by naming” because they are “group[ing] things into categories, apply[ing] classifying terms, and defin[ing] these terms” because they are not only encountering Gladwell’s text; they are learning terms to describe rhetorical choices (Cope & Kalantzis, 2021a).
AP Language & Composition CED Enduring Understandings and Essential Knowledge:
Focus: Perspective and Photographs
Read through and comment on at least 3 peers' updates reacting to their observations. Did they correctly identify elements of craft or rhetorical choices? How did their analysis change, challenge, or confirm your thinking?
In her book On Photography, Susan Sontag further explores our relationship with photographs. For this update, you are going to engage with an excerpt called "Regarding the Pain of Others."
Make a Comment: In a sentence, what is the argument that Susan Sontag is making in this excerpt?
Make an Update: Did you agree or disagree with Sontag’s main claim? Take a stance and defend it with evidence NOT from her writing. Instead, pull from your own life and experience.
In the past, I have also paired this text with common famous photographs to discuss what Sontag describes as the “indelible sample”. It might be an additional element to explore if students are struggling to connect Sontag’s text to their own relationship with photographs.
Universal Design for Learning (UDL)
With Sontag’s text, this update is now asking students to “Conceptualiz[e] by naming – learners group things into categories, apply classifying terms, and define these terms” (Cope & Kalantzis, 2021a) because it is an “activit[y] that get[s] students to group and classify things, form concepts and define terms” (Cope & Kalantzis, 2021b). Gladwell’s argument focuses on our understanding of history. Sontag delves more deeply into photographs. Learners are also “Analyzing functionally” when they “analyse logical connections, cause and effect, structure and function” because they are looking at the growth and development of text through strategic rhetorical choices (Cope & Kalantzis, 2021a). Although the two texts are different, there are connections to be identified and delineated.
AP Language & Composition CED Enduring Understandings and Essential Knowledge
Focus: Analysis of a Text and its Paired Photograph
Now that you have encountered Gladwell’s views on photography and Sontag’s views, you will examine a periodical publication (i.e. newspapers such as The New York Times, Wall Street Journal, Washington Post, BBC, AP News, NPR, etc., or magazines such as Rolling Stone, The Atlantic Monthly, TIME, ESPN, Vogue, Sports Illustrated, National Geographic, etc.) that is paired with a prominent photograph. The article can be recent or old, famous or obscure. You will analyze BOTH the text and the photograph, first separately and then together.
A tool of OPTIC will help you to analyze the image.
Take the quick OPTIC Review survey check here to make sure you understand the OPTIC definitions.
Then choose a text and paired photograph to analyze. In your final product you will analyze the photograph, the text, and the pairing. Consider these questions below.
ANALYSIS OF THE PHOTOGRAPH
Present a claim about how the photograph impacts the message surrounding the subject. What does the photograph emphasize? Distort? Neglect? As Sontag highlights, a photograph is a narrative. Consider the narrative expressed in the photograph.
ANALYSIS OF THE TEXT
ANALYSIS OF THE PAIRING
Make a Comment: Once you have chosen your text, make a comment analyzing the photograph. Make sure the photograph is in your comment, and complete an OPTIC analysis of that photograph. This is designed to help you prepare for your final analysis of the photograph.
Make an Update: Complete a written analysis of the text. Your written response should contain a thesis and specific evidence to support that thesis. This is designed to help you prepare for your final analysis of the text.
Peer Assessment: Assess three peers’ written analysis in their using the rubric below.
In order to help students choose a text, remind them that they need to find a PHOTOGRAPH, not an artistic image. In addition, the article should contain a photograph. However, the article should not be about the photograph. If students are struggling, I have also pointed them to this website (cited) in the past, which shows the front page of hundreds of newspapers, each of which contains articles paired with photographs.
If students choose to analyze an up-to-date article, make sure to have them download a PDF of it. In the past, I have had students use a news article where the image, the headline, and the writing change overnight when it is updated with new information.
Universal Design for Learning (UDL)
In this update, students are learning to “analyze critically – learners evaluate their own and other people’s perspectives, interests and motives” because have to evaluate their experience while reading the article (Cope & Kalantzis, 2021a). In addition, they must “explore motives, purposes and interests” in both the text and the photograph that was paired with the text (Cope & Kalantzis, 2021b).
Additionally, students are learning to “Apply appropriately – learners apply new learning to real-world situations and test their validity” (Cope & Kalantzis, 2021a). They have studied Sontag’s ideas only within the bounds of her own text. Now, they are applying “knowledge to actual problems and real-world situations” by looking at the relationship between text and photographs in action (Cope & Kalantzis, 2021b).
AP Language & Composition CED Enduring Understandings and Essential Knowledge
Focus: Sharing Analysis
Using feedback from your peer’s comments on your last update, the first task is to revise your analysis of the photo or the text in your comment and update from the previous admin update.
Then, for this update, you are completing your summative analysis of your chosen text. You can choose the format in which you present your analysis, whether it is entirely written, a screen recording of the image while you talk over it with your analysis or a traditional presentation.
Just make sure to address all of the questions from Update 5. Your instructor will summatively assess you using the same AP-inspired rubric that you used during peer assessment.
Make a Comment: Explain one change that you made to your analysis from Update 5 to now as a result of feedback from your peers.
Make an Update: In your update, you should publish a high-quality picture of your chosen photograph and a link to the article if you can. Then share your finalized analysis in a written, a video, or a combination of the two.
No notes for instruction.
Universal Design for Learning (UDL)
Lastly, students will “Apply creatively – learners make an intervention in the world which is innovative and creative or transfer their learning to a different context” (Cope & Kalantzis, 2021a). In the sharing of their analysis, the assignment “require[s] the transfer of knowledge to new situations and different contexts” Cope & Kalantzis, 2021b).
AP Language & Composition CED Enduring Understandings and Essential Knowledge
Cope, W., & Kalantzis, M. (2021). Pedagogy. Works & Days. https://newlearningonline.com/learning-by-design/pedagogy
Cope, W., & Kalantzis, M. (2021). Quick start. Works & Days. https://newlearningonline.com/learning-by-design/quick-start
*Eschborn, A. (2015, September 7). 10 minute timer [Video]. YouTube. https://www.youtube.com/watch?v=4ASKMcdCc3g
*Filosa, K. (2021, August 25). Foot soldier of Birmingham - close visual. GoogleDocs.
*Filosa, K. (2021, August 26). [Foot soldier side-by-side]. GoogleDocs.
*Filosa, K. (2021, September 30). Periodical analysis presentation. GoogleDocs. Retrieved August 9, 2022, from https://docs.google.com/document/d/11e5S6k5lEqOY1hIeGEKAikvxERpcYawBfBYaHN7x27U/edit
*Filosa, K. (2022, August 9). OPTIC. GoogleDocs. Retrieved August 9, 2022, from https://docs.google.com/document/d/19W1wLVIDhMNDjvqeAy4EpFxJEBH46jDIIXpRQimBU40/edit
*Filosa, K. (2022, August 9). OPTIC review. Google Forms. Retrieved August 9, 2022, from https://docs.google.com/forms/d/e/1FAIpQLSdnJyyMKfbnOXDcB9j3v9EpgoLK7cTfze4oV2tDsZeeBjcNJw/viewform?usp=sf_link
*[Foot soldier of Birmingham sculpture]. (2017, July 10). TOK Topics. https://toktopics.com/2017/07/10/2594/
*Freedom Forum (Ed.). (2022, August 11). Today's front pages. Freedom Forum. Retrieved August 11, 2022, from https://www.freedomforum.org/todaysfrontpages/#1
*Gladwell, M. (Host). (2017, July 5). The foot soldier of Birmingham (Season 2, Episode 4) [Audio podcast episode]. In Revisionist history. Apple Podcasts. https://podcasts.apple.com/us/podcast/the-foot-soldier-of-birmingham/id1119389968?i=1000389585655&mt=2
*Maina, E. (2017, July 6). The foot soldier of Birmingham with Malcolm Gladwell | Revisionist history podcast transcript. Medium. Retrieved August 9, 2022, from https://medium.com/@emaina1/the-foot-soldier-of-birmingham-with-malcolm-gladwell-revisionist-history-podcast-transcript-82cbd4e628a3
*Sontag, S. (2014). Regarding the Pain of Others. In S. Sontag (Author), On photography (20th ed.). Picador [u.a.].
*@yoopermomma. (2017, July 6). [Foot soldier of Birmingham]. Twitter. https://twitter.com/yoopermomma/status/883023116766552064