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Critical Pedagogy and The ELA Canon

Building Background for Harper Lee's To Kill a Mockingbird

Learning Module

Overview Section

This To Kill a Mockingbird critical curriculum was initially designed to be used in a ninth-grade English course that consists of a variety of students in terms of demographic diversity as well as skill diversity for the learning levels of the students. In the curriculum’s infancy, it was a fairly straightforward didactic reading of the original Harper Lee novel with chapter questions, vocabulary lists for each section, character description charts, lengthy formal writing, and a rather quantitative summative assessment at the end of the novel. Over the course of the past eight years, serious curricular audits shifted the focus of the To Kill a Mockingbird(TKAM) unit to a more critical pedagogical approach that focused on “identity” as a key lens for approaching works such as TKAM. The picture added below represents how influential TKAM has been on the curricula in American high school. Even in its 50th year in print, TKAM continues to offer insight to a new generation of readers.

To Kill a Mockingbird 50th Anniversary Cover (Goodreads).

Much of the critical reshaping stems from a focus on work from the University of Minnesota English Education professor Richard Beach (2015) in his book Identity-Focused ELA that asserts that “people are not born with one stable, findable, ‘inner’ identity...instead, people construct, perform, and ‘improvise’ identities in light of their cultural histories and in response to current social situations” (p. 4). Instead of a didactic approach to teaching the meaning of the themes in TKAM, we structured things so that students are constructing their understanding of the story based on their personal experiences, histories, and understanding of themselves. Additionally, my fellow freshman English teachers and I took a critical approach to TKAM as viewed through what Aronowitz & Giroux (1991) call a “Postmodern Educational” lens (p. 15). Here, we wanted students to look at criticisms of the use of a book like TKAM, the positionality of Harper Lee as a white woman writing about Black culture, and first-hand accounts of “other” voices not authentically presented in the novel. We hoped that being critical of the book’s view of the American South, we could “make a deliberate attempt to decenter the American literature curriculum by allowing a number of voices to be read, heard, and used” (Aronowitz & Giroux, 1991, p. 101).

This unit represents some of the key features described by Kalantzis et al. (2016) in their video series from Literacies including a focus on:

  • Connecting with students through their own lived experience
  • Asking students to think critically about issues of race both past and present
  • Asking students to take action with the new knowledge they construct
  • Using “Postmodern Concerns” to drive a more democratic viewing of the novel
  • Highlighting the diversity of voices that can help to co-construct meaning
Media embedded February 22, 2021

Education at Illinois. (2016, February 1)The content focus of critical literacies learning [Video]. YouTube. https://youtu.be/i1-41URt9hQ

With these features in mind, I hope that teachers can offer students new understandings of the complexity of race and racism in American history by reading, listening, and writing to the diverse viewpoints that illustrate more than just didactically offering students one true understanding of the novel.

Intended Learning Outcomes

For the Student

We are about to embark on a major unit focused on the way race and racism affect the way people develop and understand their own identities. The whole-class text focus will be on the novel To Kill a Mockingbird as well as other primary and secondary accounts of living in the Jim Crow Era South. Using stories such as “We Worked Long Hours” and sections of Jason Reynolds and Ibrahim Kendi’s Stamped, we hope to explore what you already know about this period in American history, but also how those pieces of history still affect us today.

Unlike some of the stories we have read already, we are starting To Kill a Mockingbird with the understanding that it is a controversial book that is by no means perfect. We hope that by exploring your thinking and these criticisms, we can better understand ways to truly capture what life was like in the Depression-era South not just from the position of a white author, but also the people in the Black community.

For this initial three week session you will be asked to:

  • Take a stand on issues of race and racism
  • Work in small discussion groups to create critical thinking questions based on Bloom’s Taxonomy
  • Explore terminology related to race, ethnicity, and anti-racism
  • Read two separate perspectives of this period from first-hand accounts
  • Write a formal Claim Evidence Reasoning (CER) paragraph based on one of the questions you created in your small group
  • Peer review a CER paragraph of another student adding constructive feedback.
  • Using this process-approach to writing to revise and turn in a final formal draft

In addition to these tasks, we also want to consider the following questions as we move through the novel and the supplemental materials:

  1. How much of your personal identity is formed through your understanding of your race or ethnicity?
  2. What can we learn by reading about individuals who experience conflict related to race and ethnicity?
  3. Where and when are issues of race and racism constructed and reconstructed throughout history?

Update:

In a single paragraph, comment on some of the background knowledge you have on either the Jim Crow Era South or To Kill a Mockingbird? How might this knowledge better help you understand this novel.

Comment:

Reply to a post from another classmate that explains something new that you learned from their post.

For the Teacher

This unit intends to introduce students to concepts that surround race and racism in the United States using To Kill a Mockingbird as the core text to explore these ideas. This unit will be taught over three weeks and focus heavily on students reading, listening, responding, and annotating texts that give alternative perspectives to the predominantly white voices heard throughout the story. This unit is intended to be the prelude to the reading of the novel. Much of the unit was developed using a mix of:

1. Beach et al.'s (2015) work with Identity Focused ELA teaching. 

2. Facing History and Ourselves'(2014) unit Teaching Mockingbird

3. Schoenbach et al.'s (2012) Reading for Understanding approach through the use of the Reading Apprenticeship Framework.

I hope that students will be able to reflect on their understandings of issues of race in the United States. I want students to tell us what they already know about some of the historical issues in TKAM such as The Great Depression, The Jim Crow era South, and the dangers that racism posed for the Black community. perhaps more important than their understandings is their ability to collaborate to co-construct some of the background knowledge needed to critically look at the novel. Much of the focus of these first few weeks of the novel will be to openly discuss criticisms with TKAM and to respond to those criticisms by supplementing students' knowledge with primary sourced/first-hand accounts of what it was like to live in the American South during Jim Crow Era. Additionally, we will use some current literature and poems that speak to the ways that America might begin to reflect on its past and move forward.

  • We will start the unit with a Take a Stand activity that asks students to pick a side on six controversial statements to focus on race in the United States.
  • We provide students with some important content-specific terms that will help them discuss and write during the unit. We then ask students to explore some other current terms that deal with race, anti-racism, and positionality.
  • We ask students to read one current piece of literature and compare/contrast it to the themes from TKAM.
  • We will ask students to read two primary source documents and ask them to write a claim-evidence-reasoning(CER) paragraph using specific evidence from the text.
  • We will have students peer edit the CER paragraphs and reflect on their initial drafts before turning in their final product
  • Finally, we ask students to explore some of the criticisms surrounding TKAM and decide whether they agree with those criticisms or not.

We will use Google Classroom as our primary Learning Management System as well as Jamboard, Nearpod, and Google Docs to help curate and capture some of the thinking of the entire class.

Students will need the following materials:

  1. A computer with internet access
  2. A digital copy of TKAM
  3. Access to Google Classroom

CCSS.ELA-LITERACY.W.9-10.5
Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach, focusing on addressing what is most significant for a specific purpose and audience. (Editing for conventions should demonstrate command of Language standards 1-3 up to and including grades 9-10 here.)

CCSS.ELA-LITERACY.RL.9-10.1
Cite strong and thorough textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.

CCSS.ELA-LITERACY.RL.9-10.2
Determine a theme or central idea of a text and analyze in detail its development over the course of the text, including how it emerges and is shaped and refined by specific details; provide an objective summary of the text.

CCSS.ELA-LITERACY.RI.9-10.9
Analyze seminal U.S. documents of historical and literary significance (e.g., Washington's Farewell Address, the Gettysburg Address, Roosevelt's Four Freedoms speech, King's "Letter from Birmingham Jail"), including how they address related themes and concepts.

CCSS.ELA-LITERACY.RI.9-10.7
Analyze various accounts of a subject told in different mediums (e.g., a person's life story in both print and multimedia), determining which details are emphasized in each account.

CCSS.ELA-LITERACY.W.9-10.1
Write arguments to support claims in an analysis of substantive topics or texts, using valid reasoning and relevant and sufficient evidence.

CCSS.ELA-LITERACY.W.9-10.1.B
Develop claim(s) and counterclaims fairly, supplying evidence for each while pointing out the strengths and limitations of both in a manner that anticipates the audience's knowledge level and concerns.

CCSS.ELA-LITERACY.SL.9-10.1

Initiate and participate effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on grades 9-10 topics, texts, and issues, building on others' ideas and expressing their own clearly and persuasively.

Update 1: Building Background

For the Student

Before we can start talking about a novel so centered on race and racial injustice, we would like to build some understandings of what you currently think about topics of race. We realize that not all students actively think about the ways that race and racism affect their identity, but we will be reading a book whose primary focus is on characters developing new understandings of the power of race in their society

Today, we will start our update by looking at five key terms that we think you already know. Start the activity by predefining the following terms linked to the "Take a Stand" Jamboard that is linked below:

Jamboard Link

Image 1: Example of an Interactive Jamboard Activity for Building Vocabulary Background Knowledge (Krows, 2021).

1. Sway-

2. Privilege-

3. Racist-

4. Opportunity-

5. Stereotype(ing)-

After exploring what your classmates think of these terms, we will next venture on to the Take A Stand: Race activity. This activity is an important entry point into To Kill a Mockingbird because it illustrates that many of the issues of racism featured in this novel still exist in today's world. Please read each statement on the handout, write down a 1-2 sentence explanation and then copy your initial response to the Nearpod.

Finally, we would like you to pick one of the statements we discussed in class and expand on your thinking by writing a paragraph that incorporates your thinking as well as the thinking of your classmates.

 

Take a Stand: Race-Nearpod

Image 1: Example Slide From Nearpod Version of the Take a Stand Activity (Knowles & Krows, 2021)

Update:

Using one of the statements we made during our Take a Stand activity, explain how you are either in total agreement or disagreement with something discussed in class.

Comment:

Reply to at least one classmate's post by explaining how you agree or disagree in similar ways.

For the Teacher

For those teaching this activity, it is important to have an understanding of what the Reading Apprenticeship model refers (Schoenback et al., 2012) to as "Surfacing, Building, and Refining Schema" (pp. 239-242). With activities like the Jamboard vocabulary discovery and the Race: Take a Stand Nearpod, we are asking students to go through the inquiry process with the teacher very much involved in overseeing any misunderstandings or misconceptions that might "surface." Once those misconceptions have been explored and identitfied, we rebuild/revise schema and asks students to start the process of monitoring their conceptual shifts. 

However, any time you discuss issues of race with 9th grade students, it is important to cover some classroom rules and expectations when it comes to listening and responding to classmates that you don't agree with. We always use a "Parking Lot" style Google Question near the end of any class that focuses on a controversial topic so that students can privately share any feelings or questions.

For the written portion of the Take a Stand Activity, we always emphasize that we want students to show us two different phases of thinking: their intial stance and the stance they took once they saw their classmates responses. This approach stems from ***Hyland's (2012, from Identity Focused ELA)  assertion that "who we are, or rather who we present ourselves to be, is an outcome of how we routinely and repeatedly engage in interactions with others on an everday basis" (2012, pp.2-3). 

Below you will find links that will help illustrate:

1) How to use a Jamboard

Media embedded February 24, 2021
Media embedded February 24, 2021

 (Teacher's Tech, October 5th, 2020)

2. How to use a Nearpod to engage in class thinking

Media embedded February 24, 2021

(New EdTech Classroom, 2020)

3. An example of a Take a Stand Activity during in-person learning

Media embedded February 24, 2021

(EL Education, 2014)

4. Example Output Report for Nearpod Take a Stand

Student Responses

 

Update 2: Unit Terms and New Ways to Talk About Race

For the Student

Now that we have explored some understandings about issues of race in current society, we will begin to construct a unit vocabulary list that will provide us with a common vocabulary when talking about race. Unlike typical vocabulary presentations, I will be asking you to do more than simply write the definitions of a term. I want you to explore the implications of the terms using our definition as well as your own internet inquiries.

For the final section of the unit vocabulary list, we will be asking you to explore three websites that offer differing viewpoints on the ways some of these terms are defined. Additionally, I have provided you with a YouTube video of a discussion between Ibram X. Kendi and Jemele Hill that explores some of the anti-racist terminologies.

Take a look at the vocabulary worksheet below as well as our definitions slide show.

Race Unit: Vocabulary and Terminology Presentation

Student Vocabulary Sheet

Once you are done reviewing our definitions, please visit the following three websites centered on anti-racist terminology, pick three terms you would like to explore on your own, and provide your findings at the end of our Student Vocabulary Sheet. 

Exploring Antiracist Terminology:

1. Racial Equity Tools Glossary

https://www.racialequitytools.org/glossary

2. Kellogg Foundation Anti-Racist Glossary

http://www.racialequityresourceguide.org/about/glossary

3. Cornell University’s Online Library of Anti-Racist Terminology

https://guides.library.cornell.edu/antiracist/terminology

In addition to the websites listed above, please listen to the interview below from 3:00-16:00 minutes to hear an explanation of Anit-Racist terminology. Please incorporate at least one important vocabulary term into your notes sheet mention above.

Media embedded February 24, 2021
Media embedded February 24, 2021

(The Aspen Institute, 2019)

Update:

Using one of the new "anti-racism" terms you explored, discuss how the term can be applied to some of the current conflicts that the US is facing.

Comment:

Comment on another classmates' "anti-racism" term and how it makes sense to you.

For the Admin

This next crucial step in the process of building understanding for a text as heavy as TKMB is to provide students with a common language to talk about issues of race. This is a vital step in looking critically at challenging texts. This idea comes from some of the approaches offered in the Reading Apprenticeship workshop as well as critical pedagogy studies by Aronowitz & Giroux (1991) that posited that "the construction of meaning, authority, and subjectivity, is governed by ideologies inscribed in language, which offer different possibilities for people to construct their relationships to themselves, others, and the larger reality" (pp.128-129, 133).

Here we are not simply asking students to write down a definition for the purpose of rote memorization. We want them to explore what those terms mean historically, presently, and locally. In what ways do they see prejudice affecting their relationships? How do schools and their curriculums represent a certain ideology?

The final piece to this section is offering students to (limitedly) explore new terms that allow them to evolve in their understanding of race and anti-racism before exploring a novel that has some very outdated ideas about equity and prejudice. Providing students with tools like language and terminology allows them to "critically analyze issues and events raises [so] that they might call dominant interpretations (and teachings) into question" (Beane & Apple, pp. 14-19).

From a teaching perspective I found that the Racial Equity Tools Website really helped me develop a further understanding of the terminology surrounding race as see below.

Racial Equity Tools

Media embedded February 24, 2021
Media embedded February 24, 2021

(USDN, 2015)

Update 3: Understanding the Context of To Kill a Mockingbird

For the Student

 

Before we begin today, let's take a few moments to fill out a survey  that focuses on your understandings so far.

Survey Response Discussions

Now that you have reflected on your learning so far, I will be asking you to build an understanding of the setting of To Kill a Mockingbird. Although the book was originally published in 1960, the story centers on the small town of Maycomb, Alabama during the height of The Great Depression and the Jim Crow Era of the south. Many of the conflicts and character progressions throughout this novel stem from the era in which the story is set. 

Take a few minutes to watch the "Understanding Jim Crow" video below from the Facing History and Ourselves video series.

 

Link to Video(Apologies but this video won't embed properly in CGScholar)

(Facing History and Ourselves, 2016)

Update:

Now that you have an understanding of the setting, make a comment that explains how this video helped to shed light on the written and unwritten rules of life in Maycomb? What characters, choices, and events in the book so far did this video help you better understand?

For the Teacher

One of the major ways that sudents are able to build a foundation of undestanding for what they read is to understant the context in which is was written. In this case, students watch a short video that gives them an overview of three major aspects of the setting of TKMB:

1. Jim Crow Era Segregation practices

2. The effects of the Great Depression

3. The roles of men and women in Southern culture

This video and question used for this reflection come from the Facing History and Ourselves unit "Teaching Mockingbird" (2014). The purpose of this section of the unit is to set the "Moral Universe" of Maycomb. What I like most about this video is that it expands students' knowledge beyond some of the more talked-about aspects of segregation in the South. In addition to mentioning separate seating on busses and in restaurant, this video illustrated the personal and professional divisions that existed during this era. For students to critically approach a text like TKMB, they need to understand that real people lived these events every day. Teachers interested in exploring more about from the Facing History Series should consult the link below.

Setting the Setting of Maycomb, AL.

Update 4: Gender Expectations and Intersectionality

For the Student

Now that we have explored the setting, themes, and unit terminology, we are going to move on to a specific discussion of the gender roles that existed during the time-period of the novel. It is important to explore these gender roles because it helps to illustrate some of the complicated relationships that exist between and among several characters in this book. Specifically, we want to explore what the gender expectations would be for our protagonist, Scout, as opposed to what would be expected of her brother, Jem.

For our first reading we will analyze and annotate the short article "The Southern Lady and Belle" looking to annotate specifically for the following things:

1. What specific expectations did they have for women and ladies during this time period?

2. How do these expecations compare/contrast to expectations for women today?

3. Do you feel that Scout conforms to the gender expectations of the time period?

Attachment 1: Southern Lady and Belle from Facing History and Ourselves (Flora, J. & Mckethan, L, 2002)

For the second article, we will look at "The Southern Gentleman" and annotate for the following purposes:

1. In what ways are men given priviledge through these gender expectations?

2. Do you feel that Jem conforms to these expectations?

3. How are these expectations similar to expectations for men, today?

Attachment 2 The Southern Gentlemen from Facing History and Ourselves (Flora, J. & Mckethan, L, 2002)

After reading and annotating, please take a few minutes to view the video below and think about how it helps to further your understandings of gender expectations. Please keep in mind that many of the misunderstandings of gender roles and gender identity are represented in the video. Please be critical when approaching the video and think about critiques you might have. We will ask you to incoorperate at least one of your critiques from this video in your final writing at the bottom of the page.

Media embedded February 25, 2021
Media embedded February 25, 2021

(ITVS, 2011).

Update:

In a four-six sentence paragraph, compare and contrast the expectations for each gender described in the articles. Do you believe these expectations were harmful? How do they compare to gender expecations today? In what ways does the video illustrate your concerns or conclusions?

 

For the Teacher

Often, when we approach a text like TKMB there is a tendency to only focus on the ways that race affects characters in the book. What is often overlooked in this critical approach is the intersectionality of gender and race. When characters in the story are reacting to situations it's because of several competing notions that deal with race, gender, socio-economic status, or family background.

Using a critical approach, I hope to show students the complexity of the characters in the story and how they represent the conflicts that real people experience. We always try to start our units throughout the year with at least one essential question that asks students to think about how learning about characters in conflicts with things like race or gender helps us to better understand ourselves.

For more information and guidance regarding teaching to intersectionlity, please check out the website below. This is a great resource for helping students unpack this.

Teaching to intersectionality

Media embedded February 25, 2021

(Learning for Justice, 2016)

Update 5: From History to Present

For the Student

Today we will be focusing on some more modern notions of race and equity in the United States. Much of what we have focused on so far was to build your background understanding of the major notion of the novel. Now, we would like you to watch a TED Talk by Chimamanda Ngozi Adichie's "The Danger of A Single Story." Her TED Talk refers to some of the major themes of TKMB including Atticus' notion that “You never really understand a person until you consider things from his point of view... Until you climb inside of his skin and walk around in it” (Lee, 30). Here, Adichie reframes this idea to include modern notions of empathizing with people in regards to race and ethnicity.

Step 1: TED Talk from Adichie-

Media embedded February 25, 2021

(Adichie, 2009)

Step 2: Finding Evidence for a Claim-

As you watch, please take note of some important quotations that you can use as evidence in our discussions of racial relations today. Please choose one of the discussion questions from the list provided and begin finding evidence to make a claim.

Danger of a Single Story Discussion Questions
Sample Discussion Questions

Update:

Which discussion question did you focus on while watching Adichie's TED Talk? What specific evidence can you use from Adichie's presentation to support your claim? Please list your focus question and at least 3 quotations to be used as evidence.

 

For the Teacher

A major point of emphasis for any ELA unit that uses a critical approach to pedagogy is to allow students to explore modern applications of conflicts they see in the stories they read. TKMB's setting and themes are very dated by today's standards, but when teachers use videos like Adichie's (2009) "The Danger of a Single Story," they allow students to apply how the racism in a novel set in the 1930's still exists in modern forms with things like stereotyping and prejudice. 

Another important aspect of this assignment is the use of evidence to support claims that students make about the TED Talk. Here, we've given students a number of curated critical thinking questions to pick from. For this first round of formal writing, we wanted to give as much guidance as possible so students didn't struggle. Rather than making their own questions and claims up on their own, we narrowed down from a larger list created by students before we watched the video using some question stems that made use of Bloom's Taxonomy. This was so that we can ensure that students were asking the right type of questions so that they could make formal claims.

Please see the article below on using TED Talks in classroom writing as well as our list of questions stems that use Blooms.

Article on TEd Talks:

https://medium.com/age-of-awareness/using-ted-talks-in-the-classroom-8de97079c398

Bloom's Taxonomy Stems:

Attachment 1. Bloom's Questions Stems to Support Claim Based Writing. (Tophat, n.d.)

 

Update 6: Peer Review and Final Drafts

For the Student

We will be using the evidence we collected from "The Danger of a Single Story" video yesterday to create a formal Claim Evidence Reasoning (CER) paragraph. Additionally, we will be using a peer review process to finalize your writing before turning in your final draft. 

Let's start by reviewing some of the evidence you gathered yesterday and looking back at the transcript of Adichie's speech.

Attachment 1. "Danger of a Single Story" Transcript (Adichie, 2009).

Now, apply your evidence and the critical thinking question you picked yesterday to the CER organizer provided below. Once you have gathered all the elements, create a first formal draft of your paragraph.

Attachment 2. CER organizer for students.

Finally, I will be assigning you a partner to exchange peer reviews on your initial drafts. Please use the checklist attached below and give feedback to one another. Also, use some of the descriptive feedback sentence starters from the image below to help your partner with their writing.

Attachment 3. Descriptive Feedback Sentence Frames. (Through the Classroom Door, 2017).
Attachment 4. CER Checklist and Rubric for Peer Editing.

Once you have worked through all three steps, review the feedback from your partner and make corrections/additions before turning in your final draft below.

Update:

Using the rubric provided, please create a formal paragraph that responds to the critical question you chose for Adichie's "The Danger of a Single Story." 

For the Teacher

The final piece of our building background asks students to apply some of the knowledge they have built so far using our frontloading activities to create a formal CER paragraph that focuses on a modern TED Talk. The critical pieces to this assignment are the process approach we take to writing and the peer review element that allows students an opportunity to get initial feedback on their writing. For this lesson, I borrowed frequently from NCTE's guidelines for quality peer review in high school ELA classrooms. Both of the attachments below give some framework for the methods I used with my class during this writing activity. Please also find below a snapshot of the embedded rubric we use for our CER writing assignment.

 

  

Attachment 1. Peer Review Process Overview A (Gere et al., 2010).
Attachment 2. Peer Review Process Overview B (Gere et al., 2010).
Attachment 3. CER writing rubric.

I like implementing this approach because it widens the audience that our students our writing to. In the case of this peer review writing activity, students are creating paragraphs not just for me as the teacher, but also for their classroom peers. This adds an extra step between the creation of writing and when that final product get to me.  

Reference

Aronowitz, S., & Giroux, H. (1991). Postmodern education: Politics, culture and social criticism. University of Minnesota Press. pp. 15, 93, 101, 81, 128–129, 133.

Adichie, C. (2009, October 7). The danger of a single story. [Video]. Youtube. https://www.youtube.com/watch?v=D9Ihs241zeg 

Beane, J. A. & Apple, M.. “The Case for Democratic Schools.” In Apple, Michael W. and James A. Beane. 2007. Democratic Schools: Lessons in Powerful Education. Portsmouth NH: Heinemann, pp.5-8, 14-19.

Beach, R., Johnston, A., & Thein, A.H. (2015). Identity-Focused ELA teaching: A curriculum framework for diverse learners and contexts (1st ed.). Routledge. https://doi.org/10.4324/9781315749044.

Bell, M. (2016). Teaching at the intersections: Honor and teach about your students' multiple identities. From Learning for Justice Magazine 53(17). https://www.learningforjustice.org/magazine/summer-2016/teaching-at-the-intersections

Beyond the Classroom Door. (2017). Peer feedback sentence starters guide. From https://www.throughtheclassroomdoor.com/wp-content/uploads/2017/01/PEER-FEEDBACK-SENTENCE-STARTERS.pdf

Education at Illinois. (2016, February 1). The content focus of critical literacies learning [Video]. Youtube. https://youtu.be/i1-41URt9hQ

EL Education. (n.d.). Taking a stand: Management in the active classroom. [Video]. Vimeo. https://vimeo.com/101559969

Facing History and Ourselves. (2014). Teaching mockingbird: A facing history and ourselves study guide. https://www.facinghistory.org/sites/default/files /publications/ Teaching_Mockingbird_2.pdf

Flora, M. & Mackethan, L. (2002). The companion to southern literature: Themes, genres, places, people, movements, and motifs. Lousiana State University Press. 

Gere, A. R., Dickinson, H., Orzulak, M. M., & Moody, S. (2010). Taking initiative on writing: A guide for instructional leaders. National Council of Teachers of English. https://cdn.ncte.org/nctefiles/resources/books/taking_initiative/6.1.pdf

ITVS. (2011, June 20). Southern belle video companion. [Video]. Youtube. https://www.youtube.com/watch?v=g3Fss5VnP3M&feature=youtu.be

Lee, H. (1960). To kill a mockingbird. Arrow Books.

New EdTech. (2020, May 19). Nearpod tutorial for teachers [Video]. Youtube. https://youtu.be/lSIZX8RxoOQ

Schoenbach, R., Greenleaf, C., & Murphy, L. (2012). Reading for understanding: How reading apprenticeship improves disciplinary learning in secondary and college classrooms. Jossey-Bass. 

Shor, I. (2009). “What is critical literacy?” in Darder, A., Baltodano, M. P. and Torres, R. D. (Eds.)The critical pedagogy reader (pp. 282. 290, 294, 297). Routledge.

Teacher's Tech. (2020, October 5). How to use Google jamboard [Video]. Youtube. https://www.youtube.com/watch?v=GbytD_LNVNM.

Teaching for Justice. (2016, May 8). Intersectionality 101. [Video]. Youtube. https://youtu.be/w6dnj2IyYjE

The Aspen Institute. (2019, June 26). How to be an anti-racist. [Video]. Youtube. https://www.youtube.com/watch?v=TzuOlyyQlug&feature=youtu.be

Tophat Education. (2019). Bloom's taxonomy stems for use in assessment. From Tophat Education Teaching Tips Blog. https://tophat.com/blog/blooms-taxonomy-question-stems/

USDN. (2015, November 10). Driving toward equity. [Video]. Youtube. https://youtu.be/P4yOV8apmlw