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2021 Live Wires Writing Camp Term 1

Persuasive and Narrative Writing

Learning Module

Abstract

Students in years 5-6 learn about persuasive writing - text structure and persuasive techniques. They then build on their understanding of persuasive writing through narrative writing - hooking the reader, narrative structure, narrative techniques and language features. They complete two writing projects that are submitted for peer review, revision and publication.

Keywords

Structure, Persuasive Devices, Narrative Techniques

Australian Curriculum

Australian Curriculum Achievement Standards

Productive Modes (speaking, writing and creating)

YEAR 5

Students use language features to show how ideas can be extended. They develop and explain a point of view about a text, selecting information, ideas and images from a range of resources.

Students create imaginative, informative and persuasive texts for different purposes and audiences. They make presentations which include multimodal elements for defined purposes. They contribute actively to class and group discussions, taking into account other perspectives. When writing, they demonstrate understanding of grammar using a variety of sentence types. They select specific vocabulary and use accurate spelling and punctuation. They edit their work for cohesive structure and meaning.

YEAR 6

Students understand how language features and language patterns can be used for emphasis. They show how specific details can be used to support a point of view. They explain how their choices of language features and images are used.

Students create detailed texts elaborating on key ideas for a range of purposes and audiences. They make presentations and contribute actively to class and group discussions, using a variety of strategies for effect. They demonstrate an understanding of grammar, and make considered vocabulary choices to enhance cohesion and structure in their writing. They use accurate spelling and punctuation for clarity and make and explain editorial choices based on criteria.

English Textual Concepts

ARGUMENT

STAGE 3 : Years 5-6

Students understand that an argument takes into account audience, form and purpose. They learn that:

  • arguments can be objectively or subjectively presented
  • language choices (visual, spoken and written) can strengthen arguments

GENRE

STAGE 3 : Years 5-6

Students understand that texts may be categorised into genres. They learn that:

  • texts in the same genre have similar functions and ideas, forms and conventions and give rise to particular expectations
  • genres are not fixed categories but may be adapted for interesting effects.

NARRATIVE

STAGE 3 : Years 5-6

Students understand that there are conventions of the narrative form that combine to involve responders in the story. Students learn that narrative engages responders through:

  • recognisable characters, events and places
  • skilful plot development
  • narrative voice and voices of characters.

CODE and CONVENTION

STAGE 3 : Years 5-6

Students understand that codes and conventions of each mode provide the foundation for innovation. They learn that:

  • knowledge of codes and conventions helps finding meaning in and through texts
  • opportunities for innovation occur at all levels e.g. word, sentence, paragraph and whole text levels.

1. Ban Animal Circuses

For the Student

Learning Intention: To read and respond to a persuasive text.

Success Criteria:

  • Read and discuss Animal Circuses Should be Banned
  • Comment.
  • Comment on 1-2 other students' comments.

Think-Pair-Share

After reading Animal Circuses Should be Banned, discuss:

  • Do you agree with the arguments of the author? Why/Why not?
  • What was the best written sentence in the text? Highlight it? Discuss why you think it is.
  • Is the text persuasive? Why/why not?

Watch the video that presents an opposing argument. Note that persuasive texts can also  be videos, posters, images and interviews.

Media embedded February 13, 2021
  • Which text is the most persuasive? Why?

Comment: Write a comment where you write about all the things that you think make the written text persuasive. Include as many things as possible. Then read the comments of other students and comment on 1-2 by suggesting other things that make the text persuasive.

Possible comment starters:

The things that make this text persuasive are .........
Another thing you could add to your comment is ........

For the Teacher

English Textual Concepts: Engaging personally and Connecting

Purpose: This learning module incorporates blended learning where students interact face-to-face as well as in the online forum. It also involves two writing projects where students give and receive feedback using a structured rubric.

This initial activity is designed to engage students in Writing Camp through valuing their prior knowledge and linking to their lifeworlds, particularly about experiences of circuses. They also draw on their prior knowledge of persuasive writing by responding to the mentor text and in their comments where students are valued as active knowledge makers, contributing ideas to our "Live Wires" (years 5-6) learning community.

Teaching Tips:

As students come into the room, get them to log into CGScholar, update their avatars and send a positive message to a peer. Experienced users of CGScholar can support the newbies.

While students are doing this, emphasise the importance of selecting non-racist, sexist or violent images, being safe in online environments, supporting each other and not bullying their peers.

Then invite students to the front of the room to read and respond to the mentor text.

They watch the video to decide on which text is more persuasive.

Note that the written text  has more points and examples. Later when looking at persuasive techniques, note the language of the owner of the Star circus compared to the langauge in the written text. The former is more casual while the latter uses strong modal verbs.

Students can then write comments in the CGScholar discussion forum, referring to some of the points covered in their discussions.

Animal Circuses Should be banned

 

2. Persuasive Text Structure

For the Student

Learning Intention: To understand that persuasive texts have PEC paragraphs with reasons (P), evidence (E) and EO, and  a concluding (C) sentence.

Success Criteria:

  • Annotate the structure of a perusasive text.
  • Brainstorm topics.
  • Choose a topic and Comment.
  • Read and comment on 1-2 other comments.

Read Animal Circuses Should be Banned for a second time.

Let's annotate the text together and identify the P, E1, E2, E3, EO and C paragraphs.

Note that each E paragraph has a reason and evidence.

Now it's your turn to choose a topic for your persuasive text.  

Think-Pair-Share: Discuss all the things that you think should be banned. Think of:

  • environmental issues
  • social issues
  • educational issues
  • humorous issues

Now share your ideas as we make a class list.

Comment: Write down the issue that you will write about  with one reason and example for why it should be banned.  You could write:

.............. should be banned because ..............................................................

For example, ..................................................................................................

Read other students' paragraphs and comment on 1-2 by adding  other reasons or examples.  

Possible Sentence Starters

You could write:

  • Another reason for  banning your issue is ..........................
  • Another example for banning your issue is ..........................
Fig. 2: Should junk food be banned?

 

For the Teacher

English Textual Concepts: Understanding

Purpose: This update focuses initially on exploring the mentor text, a model of a persuasive text, in more depth so that students understand the types of evidence to research for their persuasive texts.

Teaching Tips:

PERSUASIVE TEXT STRUCTURE

The structure of a persuasive texts supports its purpose.

A text is organised into paragraphs following a PEC structure. The length of a paragraph ranges from one sentence to many sentences (e.g. 3-10). 

In the margins, students annotate the structure of the whole text.

Write P for the Point Paragraph, E for the E Paragraphs and C for the C paragraphs. Write an O for the E paragraph that has an opposing opinion. Check to see that each paragraph is doing its job - it should be annotated with an R, Es and Cs!

(Point)

Clearly states the opinion of the writer

Has 3 main reasons (E1, E2 and E3)

Has one opposing reason (EO)

E1

(Evidence)

States reason

Gives evidence (examples, anecdotes, quotes, facts/information, statistics) 

Concluding sentence

E2

(Evidence)

States reason

Gives evidence (examples, anecdotes, quotes, facts/information, statistics)

Concluding sentence

E3

(Evidence)

States reason

Gives evidence (examples, anecdotes, quotes, facts/information, statistics)

Concluding sentence 

EO

(Evidence - Opposite)

States an opposing reason

Gives evidence (examples, anecdotes, quotes, facts/information, statistics) to argue against the reason

Concluding sentence - - says why it is not a good reason

C

(Conclusion)

Summarises the E1, E2 and E3 reasons

Has a concluding statement (e.g., comment on why the topic is important, ask a question, comment on the future, or have a call for action)


There is more information/activities on types of evidence in Update 3 - Persuasive Techniques.

In bainstorming topics, consider:

  • environmental issues such as whaling, coal-powered energy, pesticides
  • social issues such as poverty, homelessness, child labour, racism, discrimination, bullying
  • educational issues such as homework, school uniforms, mobile phones at school
  • humorous topics such as birthdays, little brothers/sisters, the colour red, selfies

Persuasive Writing Project

Ban it!

What do you think should be banned? Write a persuasive text where you give reasons and evidence with examples for your opinion. Include persuasive techniques and an image to make your writing even more persuasive and interesting. Write 400-600 words.

In Publisher, start the writing project before the lesson.  Once students have completed the comments in the second update, they can start their projects. They click on the "Work Request" in their Notifications. This will take them to Creator to start a new work.

They should add their title and then create an outline of:

P:

E1:

E2:

E3:

EO:

C:

Encourage students to research to add more to their plan .  

When students start their projects, get them to look around the Toolbar, especially "About this Work" and also the rubric in "Feedback".

They write their persuasive texts gradually over the next two lessons. Include some explicit teaching of text structure and language features in each lesson based on Updates 2 and 3. On day 4, they submit their works for peer review and give feedback. They complete this and revise their works for publication on day 5.

The Live Wires Project is attached to  this Update.

Persuasive Text Rubric

 

3. Persuasive Techniques

For the Student

Learning Intention: To understand language choices that can make my opinion more persuasive.

Success Criteria:

  • Watch some videoclips to revise persuasive techniques.
  • Identify persuasive techniques in a text.
  • Incorporate at least 3 persuasive techniques in my writing project.
  • Comment.

We are going to  annotate the persuasive techniques that are used in Animal Circuses Should be Banned

1. Rhetorical Questions

Media embedded January 11, 2020

2. Repetition and Triples

Repetition is the repeating of a word or phrase. It is a common persuasive technique to add emphasis and stress in writing and speech.

Underline any examples of repetition, especially triples (repeated three times).

3. Emotive Words

Fig. 3.1: Feeling Words

4. Modality

Look at the 2 lists below. Which list shows high modality (certainty) and which list shows low modality (uncertainty ).

Low Modality High Modality

may

could

might

sometimes

perhaps

maybe

probably

possibly

occasionally

rarely

must

would

will

can

should

always

without a doubt

positively

certainly

definitely

 

Fig. 3.2 Low and High Modal Words

                                                

​Extension: Watch this short video if you want to find out more.

Media embedded January 11, 2020

Comment: What is your favourite persuasive technique? Give an example of that persuasive technique from the mentor text or create your ow. Read other students' comments and comment on 1-2 that you think are good. You can write, "That is an excellent idea!"

For the Teacher

Purpose: In this update, the teacher guides students to identify persuasive techniques in the mentor text and then to incorporate at least three techniques in their own texts. 

Teaching Tips

PersuasiveTechnique  
Connectives 11
Anecdotes 1
Direct Quotes 1
Statistics 4 (in quote)
Rhetorical Questions 3
Repetition (at end of paragraphs) 1 x 3
Triples 1 x 3
High Modal Words (certainly, definitely, without a doubt) 3
Low Modal Words (might - P and EO) 2
High Modal Words (must, should) 10
Exclamations 3
Emotive Words 15+
Speak directly to reader (You)/Direct command 3 (you) +3 (verbs)
Exaggerations 0
Similes and metaphors 0

Connectives

Firstly, highlight the connectives. Connectives link paragraphs and ideas withing a paragraph.You may have to read parts of the text a couple of times, telling students what to annotate. Look for the comma after the connective.

Types of Evidence:

This activity explores types of evidence - facts/ information, examples, statistics, graphs, anecdotes and quotes (direct only)

1. Examples. Facts and Information

There are examples in E1, E2 and E3. There are never examples in the P and C paragraphs. These examples also provide facts/information.

2. Anecdotes

An anecdote is a short amusing or interesting story or a memory about a real incident or person. They can be used to expand on examples. There is one personal anecdote in E2

As a child I went to animal circuses. I remember feeling excited when I saw lions jumping through fiery hoops and laughing at dogs in human clothes riding on ponies.

3. Quotes  and statistics

There is one direct quote in EO.

A survey by the RSPCA in 2015 found that “68% of Australians are concerned about the use of exotic animals in circuses, including 75% of young adults aged 18-25 years. A similar trend was seen with domesticated animals in circuses with 56% being concerned, including over 68% of young adults.”

LANGUAGE FEATURES

1. Rhetorical Questions

Students highlight the 3 rhetorical questions in P, E1 and E2. All also provide facts/information. Then, students add at least one rhetorical question to their writing project (if they don't already have one).

2. Repetition and Triples

Repetition is a way that you can emphasise a point. Repetition is a word or a phrase used two or more times close together or following a pattern such as the repetition in the C sentence for each E paragraph. Students also find the example of the C paragraph. Then, students  add repetition to their writing projects for emphasis.

3. Exclamations

Exclamations are another persuasive technique to influence the reader by bringing attention or emphasising an idea. There are three. Students add an exclamation mark to their writing projects. Be careful not to overuse them - no more than 6.

5. Emotional Language of Feeling Words

Speakers and writers wanting to persuade us to agree with them often try to engage our emotions. They can do this by including words that carry emotional weight. This can be persuasive because it encourages the reader to respond on an emotional level, rather than considering the facts, or it may subtly affect the way the reader views the topic. Show students the poster and then ask students to find any emotional words in the mentor text.

E1: cruelty, cruel

E2: lonely, isolated, feeling excited, laughing

E3: cruel, suffering, violent, sacrificed

EO: ill-treated, distressed

6. Speak directly to the reader (personal pronouns, especially "you")

Using "you" is persuasive as it involves the reader of the text directly."You" is used in the three rhetorical questions.

7. Direct verbs/Command (also called the imperative)

Used in the conclusion: "Ban....."

8. Modality

Another persuasive technique is modality. Mode means "method" or "the way something is done". Modal verbs are verbs that tell us the mode in which something should be done. Strong modal verbs are should, ought, must need, would, can, have, while low modal verbs are could, may, might.

There are also connectives and adverbs such as definitely, certainly, without a doubt or probably which indicate high and low modality. These words show whether you are certain or unsure about your opinion. To be really persuasive, you need to show certainty and that you really believe in your opinion.

Note that strong and weak modal verbs are mainly used in the EO paragraph. In the EO paragraph, you can make opposing arguments weaker and easier to dismiss with weak modal verbs.

Students circle all the modal verbs, connectives and adverbs such as certainly, definitely, certain, without a doubt. Then, they add some modal verbs to their writing projects.

9. Multi-Pronged Sentences 

Identifying simple, compound and complex sentences can be tedious, although still important to do. While analysing the mentor text, use the idea of multi-pronged sentences to get students to write more varied sentences. If necessary, hand out a new copy of the mentor text. 

Similarly, the tricks that circus animals perform and their living conditions are not experienced by animals in their natural habitats. For example, circus animals are confined in small cages so they have restricted room to move. Animals, particularly large animals such as elephants, lions and tigers that need a lot of space move around, should not be chained up or only be able to shuffle a few steps in their cage. Did you know that an elephant in the wild travels up to 40 kilometers a day and lives in a social group? Chimpanzees and baboons also live in large, social groups in the wild, not in a lonely, isolated cage. As a child I went to animal circuses. I remember feeling excited when I saw lions jumping through fiery hoops and laughing at dogs in human clothes riding on ponies. These tricks that circus animals are forced to do are unnatural behaviors. On the issues of natural behaviours and habitats, animal circuses must be banned.

Firstly, identify an example of each sentence. Then students can focus on another paragraph, highlighting examples with different colours.

Single Pronged Sentences (Simple Sentence - 1 idea, 1 verb)

  • As a child I went to animal circuses.

Double Pronged Sentences (Compound Sentences - 2 ideas, 2 verbs and a conjunction (and, or, because, as, if)

  • Similarly, the tricks that circus animals perform and their living conditions are not experienced by animals in their natural habitats.
  • For example, circus animals are confined in small cages so they have restricted room to move.
  • Did you know that an elephant in the wild travels up to 40 kilometers a day and lives in a social group?
  • Chimpanzees and baboons also live in large, social groups in the wild, not in a lonely, isolated cage.
  • On the issues of natural behaviours and habitats, animal circuses must be banned.

Multi-Pronged Sentences (Complex Sentences - 2+ ideas, 2+ verbs, participles ("ing" words") and relative pronouns (who,when, which/that).

  • Animals, particularly large animals such as elephants, lions and tigers that need a lot of space move around, should not be chained up or only be able to shuffle a few steps in their cage.
  • I remember feeling excited when I saw lions jumping through fiery hoops and laughing at dogs in human clothes riding on ponies.
  • These tricks that circus animals are forced to do are unnatural behaviors

A survey is included for students to revise persuasive techniques further.

4. A New Record

For the Student

Learning Intention: To explore ideas for my own narrative.

Success Criteria:

  • Listen to a reading of a narrative.
  • Think-Pair-Share discussion with a partner.
  • Create a five word narrative.
  • Comment on 1-2 other students' comments.

First let's contextualise the narrative by looking at a map of the world here and on the mentor text.

1. After listening to a reading of A New Record, with a partner discuss what you think makes it a great narrative. Let's record our ideas on a Venn Diagram.

2. Now record how narratives and persuasive texts are the same and different. 

3. A New Record is inspired by a true event and based on a five word narrative:

Tanker. Self-Doubt. Fatigue. Fog. Strength.

This narrative has a setting, a main character and action.

Inspired by True Events

Think of some other real events that you know about. Here are some real events with five word narratives that you could use or you can  make up one based on your life or someone you know:  

Here are some five word narratives based on real life:

  • Playing. Accident. First Aid.Trouble.

  • Lost. Frightened. Hungry. Rescue. Exhaustion. 

  • Carnival. Nervous. Belly Flop. Medal.

  • Flight. Masks. Delay. Storm. Safety.

  • Puppy. Broken paw. Vet. Training.

With a partner, discuss one of the five word narratives. Can you guess some of the information that is missing? Where is the setting? Who are the characters? What will the action be? 

Comment: Now write your own five word narrative that is inspired by a true event.  It must be exactly five words. You can use some of the words in the examples above or make up your own. Post it to Community. Then comment on 1-2  other students' 5 word narratives by asking them questions about their narratives. Respond to students who ask you questions.

After you have recorded ideas in the comment box, click on your "Work Request" in your Notifications in CGScholar. This will take you to Creator where you can start your narrative writing project.

Fig 4: Chloe McCardel

For the Teacher

Purpose: This update aims to engage students through listening to and responding to a narrative. It enables students to think critically about what they have learnt about narrative and persuasive texts, and how they are the same and different, and developing conceptual understanding of genre - argument and narrative. This supports them to transfer learning from one set of learning activities to another set of learning activities.It also helps students to generate their own ideas for a narrative.

The narrative mentor text is central to learning about narratives.

Teaching Tips:

  • Engage students through a prediction based on the five word story - Tanker. Self-doubt. Fatigue. Fog. Strength. of the narrative A New Record.
  • After reading the narrative, students discuss their reactions - prompt students to discuss their emotional reaction to the story (identification, empathy, antipathy). 
  • Next, students should focus on what makes this narrative a good/great one. Key ideas can then be shared with the whole class by recording ideas on the Venn Diagram. This will enable students to connect what they are learning about narratives to what they already know about persuasive texts. 
  • Print out the Venn Diagram (below) template and enlarge to A3. Ideas can be recorded on the A3 sheet as a whole class.
  • In completing the Venn Diagram, prompt students to focus on how the author hooks the reader, variety in sentences, description (triples, similes, action verbs and wow words) and dialogue.  Cameron, S. & Dempsey, L. (2013). The Writing Book: A Practical Guide for Teachers. Auckland: S&L publishing, p. 70).
Narrative and Persuasive Texts
Venn Narrative and Persuasive Texts

"Inspired by a True Story" Narrative Writing Project

Write a narrative that is inspired by a true story. You don't have to stick to the facts! Create a five word story for your narrative. This is your plan. Write 400-600 words. Include 2 images to add interest to your narrative.

(600-800 words)

  • Start the writing project before the lesson. Students can then log into CGScholar and click on the "Work Request" in their Notifications. This will take them to Creator to start their work.

  • They should add their five word story and add dot points with more ideas. This becomes their plan. Students should save this plan as a new version. Then they can expand on their dot points in the next version.

  • When students start their projects, get them to look around the Toolbar, especially "About this Work" and also the rubric in "Feedback".

  • They write their narrative texts gradually over the next three lessons. Include some explicit teaching of text structure and language features in each lesson based on Updates 5 and 6. On day 4, they submit their works for peer review and give feedback. They complete this and revise their works for publication in the fifth lesson.
A New Record Mentor Text Years 5-6
Narrative Text Rubric

 

5. Showing, Not Telling

For the Student

Learning Intention: To understand how to write great orientations. 

Success Criteria:

  • Revise the structure of a narrative.
  • Write a great hook.
  • Describe a character by showing not telling.
Fig. 5 Narrative Structure
Orientation Introduces who, where and when and hooks the reader.
Complication A problem - there can be more than one complication.
Resolution The problem is solved.
Coda The moral, lesson or message of the story.
Fig. 5a: Narrative Structure

Look at A New Record again. In the margins of the handout, write down what part of the narrative it is. Note that there are at least 3 complications. You can work with a partner.

The Hook

Now look at the first sentence in the orientation again. It covers who, where and gives a hint of what.

I turned suddenly to see a light shining through the fog and the pitch-black water.

Think-Pair-Share:

  • Does this first sentence hook the reader? Why/Why not?
  • Is is a good opening sentence? Why/Why not?
  • Look at the opening sentence in the novel you are reading now. Is it a good opening sentence? Why/Why not?

Showing, Not Telling

Media embedded March 1, 2021

Look at the opening three paragraphs.

I turned suddenly to see a light shining through the fog and the pitch-black water. It was a giant tanker crossing the English Channel from England to France and I was swimming in its path. The fog had made it impossible to see until the last minute. It was enormous and I knew that it could not manoeuvre quickly enough to avoid me unless I did something fast.

I took deep breaths. What was I doing here? Hadn’t I done enough to prove myself? What if I didn’t make it this time?

Despite being fatigued after four swims in the last 16 days, the beginning of the swim had gone smoothly. I had waved nervously to my support crew in the pilot boat. They make the difference between success and failure and despite all the training and planning, they were just as anxious as I was about the ten-hour journey ahead.

What do you learn about the main character in these paragraphs? Let's make a list of all the words that you think of to describe Chloe McCardel. What about the crew of the pilot boat?

Comment: QUICK WRITE: Look at your Five Word story. How will you start it? Write it here. Introduce your main character by showing, not telling. Make sure you include 1-2 interesting "wow" words. Read other students' orientations and comment on 1-2 that you like, explaining why.

For the Teacher

Purpose: Students identify the structure of the narrative of the text they read in the initial activity and use it as a model for their own narratives.

By analysing the mentor text, students develop their understanding of how to hook the reader and introduce the complication and the main character/s.  

Students also start writing orientations based on their Five Word Stories in update 4. They can use these when they start their writing projects. By sharing these in the Community discussion forum, they are seeing other student models of orientations which they can use to improve their own.

Teaching Tips:

In brainstorming a list of words to describe the main characters, point out that there are no words to describe the colour of their hair or their eyes or what they are wearing, but yet the reader can already visualise the characters.

As students are writing, give them verbal feedback on their orientations. Younger students may still fall back into their default ways of opening their narratives such as "Once....." or "My name is ... and I  am going to tell you about...."

A simple strategy is to look for their first complication (typically in their second paragraph) and move it to the narrative opening and then adjust.

6. Narrative Techniques and Language Features

For the Student

Learning Intention: To understand  how to write a great narrative.

Success Criteria:

  • Identify narrative techniques such as dialogue and description (similes, metaphors, triples, action verbs and wow words).
  • Identify language features such as connectives, conjunctions, and single, double and multi-pronged sentences.

  • Comment and comment on other students' comments.

Comment:  What is your favourite narrative technique? Give an example of that narrative technique. Read other students' comments and comment on 1-2 that you think are good. You can write, "That is an excellent idea!"

Revision

You can watch the videos to revise similes and metaphors if you would like to.

Media embedded January 14, 2020
Media embedded January 16, 2020
Examples of similes

More examples of Similes

  • I slept like a log last night.
  • My little sister swims like a fish.
  • My hands are as cold as ice.
  • This blade of grass is as sharp as a razor.
  • The winner of the race strutted like a rooster.
  • The dancer fluttered like a butterfly.
  • I feel as sick as a dog.
  • It's as easy as ABC.
  • The toddler wriggled like a worm when his mother picked him up.
  • The old man with the walking stick shuffled like a penguin.
  • The exhausted boy walked home, plodding like a tortoise.
  • When the girl kissed me, my face was as red as a tomato.

Think-Pair-Share: Which simile is your favourite? What picture can you imagine?

For the Teacher

Purpose:  As students work on their narratives, they learn more about language and narrative techniques, including description and dialogue. The focus on description through verbs shifts the emphasis away from adjectives.

Teaching Tips:

Print a copy of the mentor text for each student before the lesson and provide highlighters and coloured pencils.​ Work through the following activities gradually, allowing students to incorporate what they have learnt in their writing.

1. Narrative Techniques

Narrative Technique: Description

  • Highlight 10 "Wow" words and share them with your partner. Count how many you had that were the same.
  • There are two similes in the story. Circle them. Similes create exciting pictures in your mind.

like a deer in headlights

as strong as an ox

Showing, Not Telling

  • Verbs and adverbs, adjectives and similes are tools to include description in narrative writing. Verbs are the tools that really do the "heavy lifting" in description!

Triples (Repetition)

  • There are 2 triples in the story. Highlight them too. "Wow words," triples and similes can make your writing more exciting and descriptive. Further, the repetition in triples builds lexical cohesion.

Triple 1

What was I doing here? Hadn’t I done enough to prove myself? What if I didn’t make it this time?

Triple 2

There was no wind. The tide was with me. The water was unusually flat.

2. Narrative Technique: Pacing

Note the questions and the short sentences here that build suspense (Will Chloe make it?). Long descriptive passages slow down the pacing.

3. Narrative Technique: ​Dialogue

Focus on the narrative technique of using dialogue as a tool to show character and to advance the sequence of events. Then ask students to look at the dialogue in the handout and work out the punctuation rules - capital letters, speech marks, full stops, commas, and new lines/paragraphs.

Instructions for students:

Look at the dialogue. What are three rules that you notice for writing dialogue? Dialogue is a narrative technique.

4.  Multi-Pronged Sentences (Year 5-6 only)

Again, while analysing the mentor text, use the idea of multi-pronged sentences to get students to write more varied sentences. 

Firstly, identify an example of each sentence and then students find more examples in other paragraphs

The last three hours were long and tedious. My body ached and every stroke was cheered on by my crew. Now I knew I could make it. When I reached the coast of France, I had been swimming for ten hours and 40 minutes. I charged up the beach where it took ten minutes for the swim to be recognised by the officials. I had topped the men’s world record of 34 English Channel swims. Once I was given the okay, I got back into the water and swam to the pilot boat. I just wanted to get back as quickly as possible.

Single Pronged Sentences (Simple Sentence - 1 idea, 1 verb)

I had topped the men’s world record of 34 English Channel swims.

Double Pronged Sentences (Compound Sentences - 2 ideas, 2 verbs and a conjunction (and, or, because, as, so).

The last three hours were long and tedious

My body ached and every stroke was cheered on by my crew.

I just wanted to get back as quickly as possible.

Multi-Pronged Sentences (Complex Sentences - 2+ ideas, 2+ verbs, participles ("ing" words") and relative pronouns (who,when, which/that). See yellow highlighting.

Now I knew that I could make it.

When I reached the coast of France, I had been swimming for ten hours and 40 minutes.

I charged up the beach where it took ten minutes for the swim to be recognised by the officials.

Once I was given the okay, I got back into the water and swam to the pilot boat.

5. Best Written Sentence

Put a double line under what you think is the best written sentence in the story. Explain to your partner why you think it is good.

7. You're Published!

For the Student

Learning Intention: To reflect on what you have learnt about persuasive and narrative writing.

Success Criteria:

  • Comment on what you have learnt.
  • Read 2-3 published  works.

Comment: What have you learnt about writing  persuasive and narrative texts? Keep adding comments until you run out of ideas. Then read other people’s published persuasive and narrative texts. Comment on 1-2 that you like, explaining why. 

Fig. 7: Through feedback we help each other in our learning

For the Teacher

Purpose: This reflection activity promotes student metacognition about what makes quality writing by reading and reflecting on other students’ writing.

Teaching Tips:

  • Refer to the Analytics to see how students have performed.

Acknowledgements

Title: (Source);  Fig. 2: Ban junk food (Source); Fig. 3.1: Feeling Words (Source);  3.2: High and low modal words created by Rita van Haren; Fig. 4: Swimmer (Source); Fig. 5: Narrative Structure by Rita van Haren; Fig. 5a: Narrative Structure by Jo Kay; Fig. 7: Collaboration (Source).