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An Adventure Story: Writing Action-Packed Narratives

Grade 6 English Language Arts

Learning Module

Abstract

Students read and analyze The Life of Robinson Crusoe to learn how to write fast-moving narratives. Then through the writing process, they draft, provide and receive peer feedback, revise, and submit their work for publication.

Keywords

Narrative, Pacing, Action, Sequence, Inference.

1. Overview

For the Student

In this module, you read and respond to The Life of Robinson Crusoe by Daniel Defoe (abridged), and identify and use story features, including narrative structure, pacing and description. You also read and evaluate each other’s stories from the position of both writers - deciding whether and how to revise your own pieces, and readers - reviewing others’ pieces.

Focus Questions

How do I write an action-packed adventure story /narrative?

What are the plot sequences, themes, settings and characters of adventure stories?

How can vocabulary choices position an audience to think positively or negatively about characters?

How can I infer character traits from action verbs?

Fig. 1: Shipwreck

Comment: List titles of adventure stories that you know of. They can be from films, books, television, plays etc. See what other students post - it might help you to remember another title.

For the Teacher

In this module, students read and respond to The Life of Robinson Crusoe by Daniel Defoe (abridged), and identify and use story features, including narrative structure, pacing and description. They also read and evaluate each other’s stories from the position of both writers (deciding whether and how to revise their own pieces) and readers (reviewing others’ pieces).

Main CCSS Focus:

W.6.3: Write narratives to develop real or imagined experiences or events, using effective technique, relevant descriptive details, and well-structured event sequences.

2. Adventure Stories that You Know

For the Student

Learning Intention: To understand what adventure stories are about and their settings.

Think about some adventure stories that you know about. These might be based on films, books, comics, reality TV shows and video/computer games. Adventure stories cover lots of time periods. They can be set in the past and involve pirates, treasure, desert islands, dinosaurs, and sea adventures. When they are set in the future, they may involve space travel and discoveries. They can also be set in the present (as well as the past and the future) involving criminals, spies, heroes and villains, and battling enemies, challenges or the elements of nature.

Discuss some adventure stories with a partner or a small group, noting similarities and differences in the stories you know about, and finding out about other adventure stories.

Comment: Post a two sentence summary of an adventure story that you know about. Comment on the comments of 2-3 other students, noting some of the similarities and differences between your adventure stories. Start your comment on another student's post with @Name.

Fig. 2: Adventure Story

For the Teacher

This update:

  • Engages students in the topic through sharing their knowledge of adventure stories
  • Develops their confidence to post to the Scholar learning community, interact with others, and express their thoughts in full sentences in blog-like interactions.
  • Establishes Community updates as a way of sharing their knowledge and interacting with others.

While students work collaboratively and independently on completing the Community Updates, the teacher can support students who require help. Posting comments is a form of accountability, promotes reflection, and develops students’ writing skills.

CCSS Focus:

SL.6.1c: Pose and respond to specific questions with elaboration and detail by making comments that contribute to the topic, text, or issue under discussion.

W.6.6: Use technology, including the Internet, to interact and collaborate with others.

3. Survey: The Life of Robinson Crusoe - Comprehension

For the Student

Learning Intention: To read and comprehend The Life of Robinson Crusoe by Daniel Defoe.

Read The Life of Robinson Crusoe by Daniel Defoe, then complete the survey.

The Life Of Robinson Crusoe by Daniel Defoe (abridged)
Fig. 3: First edition of "The Life and Strange Surprizing Adventures of Robinson Crusoe of Your, Mariner" in 1719.

For the Teacher

This survey will provide the teacher with baseline information about students’ comprehension of The Life of Robinson Crusoe by Daniel Defoe (abridged). The text also introduces an adventure story to stimulate students’ thinking and discussion in the activity that follows. As this text is 15 pages, allocate some dedicated time for the students to read and respond to the text before taking the survey. Students read the text individually and at predetermined stopping points, they discuss what they have read with a partner. Other activities at stopping points might include:

  • Predict what will happen next.
  • Summarize what has happened so far.
  • Make inferences about the characters.
  • Sketch a key idea or theme.
  • Discuss interesting or challenging vocabulary.

They could post some of the key ideas from their 'stopping point' discussions in Comments in Community.

To provide extra support to students, post the following Overt Instruction Updates from The Writer’s Toolkit: Reading Strategies for Writing in the New Media to Community if they need to focus on this aspect of writing at this time. Alternatively, individualized or small group support may be provided through structured mini-lessons.

  • Reading and Inferring
  • Vocabulary and Spelling

CCSS Focus:

RL.6.1: Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text.

RL.6.3: Describe how a particular story’s plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.

RL.6.4: Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings; analyze the impact of specific word choice on meaning and tone.

4. What is an Adventure Story?

For the Student

Learning Intention: To understand the features that define adventure stories.

With a partner or in a small group, discuss other features you have identified about adventure stories from your reading of The Life of Robinson Crusoe. Look up ‘adventure’ in the dictionary e.g. Dictionary.com  Does The Life of Robinson Crusoe fit in with this definition? Adventures may include characters such as heroes and villains, and the plot may involve a quest or a journey. Typical themes in adventure stories are survival, revenge, good overcoming evil friendship and growing up. Do these apply to The Life of Robinson Crusoe?

Go to some online plot generators:

1. Scholastic Story Starters

2. Story Starts

3. KidPub

4. Short Story Ideas

5. Adventure Story Ideas Generator

6. My Story Maker

Comment: Post a comment about whether the plots and characters you have found or created in the plot generators fit in with the definition of an adventure story. Alternatively, you could write about some of your ideas for plot sequences, characters and themes of your adventure story. Comment on 2-3 other students’ comments, building on the ideas of their discussion and/or suggesting ideas for other students.

Fig 3: Robinson Crusoe

For the Teacher

This activity aims to promote wide-ranging discussion, face-to-face, and online, so that students collaboratively build knowledge about what constitutes an adventure story, drawing on their reading of The Life of Robinson Crusoe and other websites. It also aims to stimulate students’ to plan their own adventure stories, theorizing about possible plot sequences, themes, settings and characters.

The online plot generators:

1 & 2: Provide suggestions for a character and plot for an adventure story.

3: Uses numbers to create plot, setting, characters and a problem.

4: Suggests characters, scenario, title, first lines and twists.

5 & 6: Use visual prompts for character, setting and plot.

Dictionary.com defines ‘adventure’ as an exciting or very unusual experience; participation in exciting undertakings or enterprises; a bold, usually risky undertaking; hazardous action of uncertain outcome.

Based on the survey results and to complement the above activities,post the following Overt Instruction Updates from the Writer’s Toolkit to Community if students need to focus on this aspect of writing at this time. Alternatively, individualized or small group support may be provided through structured mini-lessons.

  • Structure of Narratives
  • Point of View

Also students may revise narrative structure by taking a survey based on Aesop’s fable, The Lion and the Mouse. This update is included in the Writer's Toolkit.

CCSS Focus:

W.6.3a: Engage and orient the reader by establishing a context and introducing a narrator and/or characters; organize an event sequence that unfolds naturally and logically.

SL.6.1: Engage effectively in a range of collaborative discussions (one-on-one ... ) with diverse partners on grade 6 topics, texts, and issues, building on others’ ideas and expressing their own clearly.

SL.6.1c: Pose and respond to specific questions with elaboration and detail by making comments that contribute to the topic, text, or issue under discussion.

L.6.1a: Ensure that pronouns are in the proper case (subjective, objective, possessive).

5. Project Information and Draft

For the Student

Learning Intention: To start my writing project and to use the Rubric to identify what is important to include.

Project Name: An Adventure Story: Writing Action Packed Narratives

Description: Write an adventure story that narrates a sequence of related events about an unusual or exciting experience involving hazards, risks, challenges and a quest or a journey.

Check the Work Request in your Notifications. Click on this link to open the “Untitled Work” in Creator. Then, change the title, and begin a first draft. Go to About This Work => Project => Description for further project information.

For what you need to do in order to write a good narrative, go to Feedback => Reviews => Rubric. Keep the Rubric open and refer to it as you write.

When you are ready to submit, click “Submit Draft” below the work. This is the version of your work that will be sent to others for review.

Comment: Do you have any questions about how Scholar works? Make a comment in this update. If you think you have an answer to another student's question, please answer it - be sure to name the student you are replying to in your comment by starting with @Name.

Fig. 4: Daniel Defoe, author of Robinson Crusoe

For the Teacher

Assigning the project to the students at this stage is important to set clear expectations, and also so students understand how the activities that follow will support them.

As students begin to draft their work, encourage them to use the Structure tool to organize some of the key ideas they have brainstormed and developed through the Community Updates. The Structure Tool supports students to develop an initial structure for their text, refine the elements of their text, and draft new versions, transforming their ideas into well written text. Students should also refer to the Rubric as a guide as they write in Creator. If necessary, look through the rubric with students.

For first time users of Scholar, the following Overt Instruction Updates from The Writer's Toolkit: Strategies for Writing in the New Media may be useful to add to Community:

  • How to Write in Scholar
  • Using the Rubric and Checker

Project Rubric

CCSS Focus

W.6.3: Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well structured event sequences.

W.6.4: Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose and audience.

W.6.6: Use technology, including the Internet, to produce and publish writing as well as to interact and collaborate with others.

6. Brainstorming Ideas

For the Student

Learning Intention: To search for and record ideas about characters, setting, plot sequence and themes, in preparation for writing.

Brainstorming is a method for coming up with ideas quickly. It is a way of breaking ‘writer’s block’ - not knowing what to say or where to start. When you brainstorm, you just say what comes immediately to mind, even if it seems not quite relevant (because you never know, it might be!). Don’t worry if your ideas sound crazy ... think outside of the box. One way to brainstorm is to look up key words in a dictionary or thesaurus. Another way to is to take a central idea and do ‘webbing’, or connecting things by association:

  • Space connections (what’s near, far?)
  • Time connections (what’s then, now, later?)
  • Part and whole connections (what’s this a part of/is a type of, what part does it have?)
  • Difference connections (what’s it like, what’s it not like?)
  • Logical connections (because, for or against?)

Individual Brainstorming. At the beginning of a writing project in Creator, do some free writing. Write down whatever comes into your head for a specified time limit, say 10 minutes. Don’t be too careful about what you write – just keep writing. If you want to keep your brainstorm ideas, create a new version. The new version will have your brainstorming ideas, which you can delete as you feel you have used each idea, or decided not to use it because it does not seem to fit ... but you’ll still have kept your brainstorm ideas in the first version.

Group Brainstorming. Use the comment box to write down your ideas. Leave evaluating the ideas until the end of the brainstorming session. This is when you decide which ideas you will definitely include and definitely exclude in your work, and ones you’re not sure about yet. Some ideas contributed by others may also spark new ideas for you.

Comment: Write down a few ideas for your adventure story. Write anything that springs to your mind. Separate your ideas with ellipses (...) to indicate that you still have to join up the ideas. Next, after you have submitted your comments, look at other people’s ideas. The most important rule of group brainstorming is not to criticize others’ ideas. If they are a bit crazy, it’s because that’s what brainstorming is about. In fact the crazier the idea, the better.

Fig 6: The novel was based on the experiences of Alexander Selkirk who spent 4 years on a desert island.

For the Teacher

Brainstorming is a technique for creative thinking developed by New York advertising executive, Alex Osborn, and described in his book, ‘Creative Imagination’, first published in 1953.

In this update students use brainstorming techniques as they begin to think of ideas that they might include in their written texts. Brainstorming can be individual and/or in groups. The dynamics of individual and group brainstorming are different.

We also suggest using two different locations in Scholar.

  • Individual brainstorming in Creator
  • Group brainstorming in Comments in Community

In the group brainstorming, so that students are not influenced by other ideas at first, be sure that everyone in the group waits to submit their comments at the same time.

CCSS Focus:

SL.6.1: Engage effectively in a range of collaborative discussions (one-on-one ... ) with diverse partners on grade 6 topics, texts, and issues, building on others’ ideas and expressing their own clearly.

7. Survey: Pacing in an Adventure Story

For the Student

Learning Intention: To understand pacing in an adventure story.

Refer to The Life of Robinson Crusoe as you complete the survey on pacing in an adventure story.

The Life of Robinson Crusoe by Daniel Defoe
Fig. 7: Robinson Crusoe Island

For the Teacher

This survey, based on The Life of Robinson Crusoe, collects information about descriptive writing and pacing in narratives. Students answer questions about the whole text and analyze a short excerpt. Key concepts include:

Using factual details to introduce an adventure story by covering a lot of detail and helping the plot to unfold quickly and engage the reader

  • Using action verbs to create a fast-moving plot with excitement, danger and problems for the main characters to solve.
  • Using rising action and mini climaxes to create tensions and excitement.

Based on the survey results and to provide extra support to students, post the following Overt Instruction Updates from The Writer’s Toolkit: Strategies for Writing Narratives in the New Media to Community if students need to focus on this aspect of writing at this time. Alternatively, individualized or small group support may be provided through structured mini-lessons.

  • Pacing in Narratives

Survey Results: Go to the Survey Tool in Publisher. Then go to Find a Survey => Already Distributed Surveys => Results.

CCSS Focus:

W.6.3: Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well-structured event sequences.

W.6.3b: Use narrative techniques, such as pacing and description, to develop experience, events, and/or characters.

W.6.3d: Use precise words and phrases, relevant descriptive details, and sensory language to convey experiences and events.

8. Vocabulary and Positioning an Audience

For the Student

Learning Intention: To analyze specific vocabulary choices and how they position an audience to think positively or negatively about characters.

People sometimes have prejudices about other social groups and individuals from other cultures. They fear differences which they don't fully understand. Prejudice involves pre-judging another person or group without really knowing or understanding them. Or they use stereotypes which are simple mental pictures of individuals or groups. These are either completely untrue or just far too simple, or they are racist about another group. This means that they don't think the other group could possibly be as good or as clever as they are. Very often, prejudice, stereotypes and racism occur at the same time. Even before discovering the bones, Robinson calls the people of the region 'savages' or 'natives'. With a partner, discuss what these words mean. Why would you not use these words to describe politely a friend or a next-door neighbor? How do these words show Robinson’s prejudice? What stereotype might they be based upon? How might they be racist?

Adventure stories also use action verbs to:

  • Create a fast-moving plot with excitement, danger and problems for the main characters to solve.
  • Describe the characters with the reader inferring character traits from the action verbs. For example, from the excerpt in which Crusoe rescues Friday, you will be able to infer character traits of Crusoe such as he is brave, thinks quickly, has good survival skills but is also heartless about the taking of human life.

With a partner or small group, share and build upon some of the specific vocabulary you have used to describe the characters in your adventure story. What do the action verbs tell readers about your main character? Will your readers think positively or negatively about him/her?

Comment: Post 3-5 action verbs you will use in your adventure story and what they say about the main character. Comment on other students’ action verbs. Go to Creator and include them in your story.

Fig. 5: Robinson Crusoe and Friday

For the Teacher

In this activity students understand the impact of vocabulary choices. Vocabulary is important to make writing interesting and engaging for a reader but it can also position an audience to react positively or negatively to a character or theme. In the case of The Life of Robinson Crusoe, Defoe uses some language such as ‘savages’ or ‘’natives’ which create racist stereotypes of the people who live on a neighboring island. In the activity, contextualize for students that referring to Friday as a ‘savage’ would have been common for many people during the 17th Century.

This activity also builds on some of the concepts that were introduced in the survey on narrative techniques. The focus is on developing students’ understanding that the pacing of an adventure story moves quickly to create tension and excitement. Description is included through action verbs from which the reader can infer character traits of the main character.

CCSS Focus:

W.6.3b: Use narrative techniques, such as pacing and description, to develop experience, events, and/or characters.

W.6.3d: Use precise words and phrases, relevant descriptive details, and sensory language to convey experiences and events.

9. Give Feedback and Revise

For the Student

Fig. 9: Robinson Crusoe spent 28 years, 2 months and 19 days on the island.

Learning Intention: To give feedback on other students’ works and then revise my own.

Check your Notifications for Feedback Requests: You have received a Feedback Request. Click on this link to take you to the work you have been assigned to review. Go to Feedback => Reviews => Review Work. Rate the work on each criterion and explain why you gave the work that rating. Make in-text comments at Feedback => Annotations. Make an overall recommendation at Feedback => Recommendation.

Submit your feedback once it is finished at About This Work => Project => Status. You will not be able to submit your review until all requirements set by you teacher have been met. These may include a Review, Annotations, and/or a Publication Recommendation.

For more information, see Reviewing a Work and Submitting a Review and Annotations.

The next stage of the writing process is to revise your own work.

Check your Notifications for a Revision Request: You have received a Revision Request. Click on this link to take you to the most recent version of your work. Then go to Feedback => Reviews => Results to see the reviews and Feedback => Annotations to see in-text comments. Once you have incorporated all of the feedback (Reviews/Annotations) from your peers, click “Submit Revision” below the work.

You can also write a self-review, explaining how you have taken on board the feedback you received.

For more information, see The Revision Phase.

Comment: Do you have any more questions about Scholar at this stage? Make a comment in this update. If you think you have an answer to another student's question, please answer it - be sure to name the student you are replying to in your comment by starting with @Name.

For the Teacher

This update covers two stages of the writing process in Scholar: Review and Revision.

The following Overt Instruction Updates from The Writer's Toolkit: Strategies for Writing in the New Media may be useful to add to Community.They may be used with first time users or it may be appropriate to introduce them in a second writing project so students learn about the features of Scholar over time.

  • Constructive Feedback: Annotations - this guides students in how to provide specific feedback through Annotations.
  • Constructive Feedback: Reviews - this describes types of feedback such as critical, cheerleader and constructive feedback.
  • Revision Phase - this focuses on how to use the feedback students receive to improve their writing, and includes writing a self review.

Before the students submit their final work, run the Analytics. Check the percentage of text revised between one draft and the next, the number of words currently written and the grade level of the writing. You may wish to ask some students to do more work before they submit.

CCSS Focus

W. 6.5: With some guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach.

W.6.6: Use technology, including the internet, to produce and publish writing as well as to interact and collaborate with others.

L.6.1: Demonstrate command of the conventions of standard English grammar and usage when writing.

L.6.2: Demonstrate command of the conventions of standard English capitalization, punctuation and spelling when writing.

10. Publish and Reflect

For the Student

Learning Intention: To identify what is successful writing.

Check Notifications to see if your work has been published and whether works that you provided feedback on have been selected for publication. Published works may be viewed on your and any collaborators' individual profiles in Community.

Comment: Read two - three other people’s published narratives. Write a comment about the most interesting thing you learned from reading them. Mention the creator and title of the work, and make a link to that page so the person reading your comment can jump to the page quickly.

Fig. 6: Return to the Island

For the Teacher

Notifications of publication are provided to the creator and all reviewers.

This reflection activity promotes student metacognition about what makes quality writing by reading and reflecting on other students’ writing. Ask students to look over other people’s published works - have them read at least two or three works. Ask them to comment on something interesting they learned from reading other students’ work.

Refer to Analytics to see how students have performed.

CCSS Focus

W.6.6: Use technology, including the internet, to produce and publish writing as well as to interact and collaborate with others.

11. Acknowledgements

Figs. 1, 2, 4, 5, 8 & 10: (Source); Fig. 3: "Robinson Cruose 1719 1st edition". Licensed under Public Domain via Wikimedia Commons (Source); Fig 6: "Alexander Selkirk Statue" by SylviaStanley - Own work. Licensed under CC BY-SA 3.0 via Wikimedia Commons (Source); Fig 7: "Robinson.Crusoe.island" by photoscan by J. Kenneth Van Dover; original artist unknown - http://www.newberry.org/smith/slidesets/images/10-1.jpg. Licensed under Public Domain via Wikimedia Commons (Source); Fig. 9: (Source).

Source: Prejudice, Stereotypes and Racism, Kalantzis/Cope, 1989: IBN: 0 949313 27 0;